The Affair at the Semiramis HotelMason, A. E. W. (Alfred Edward Woodley)
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The Affair at the Semiramis Hotel
Mason, A. E. W. (Alfred Edward Woodley)
Detective and mystery stories; Jewelry theft -- Fiction; London (England) -- Fiction
"They are spoilt children, all tantrums and vanity," he said, "and
they would ruin you to keep a rival out of the theatre."
He told them anecdote upon anecdote.
"And Carmen Valeri," Hanaud asked in a pause; "is she troublesome this
season?"
"Has been," replied Clements dryly. "At present she is playing at
being good. But she gave me a turn some weeks ago." He turned to
Ricardo. "Superstition's her trouble, and André Favart knows it. She
left him behind in America this spring."
"America!" suddenly cried Ricardo; so suddenly that Clements looked at
him in surprise.
"She was singing in New York, of course, during the winter," he
returned. "Well, she left him behind, and I was shaking hands with
myself when he began to deal the cards over there. She came to me in a
panic. She had just had a cable. She couldn't sing on Friday night.
There was a black knave next to the nine of diamonds. She wouldn't
sing for worlds. And it was the first night of _The Jewels of the
Madonna!_ Imagine the fix I was in!"
"What did you do?" asked Ricardo.
"The only thing there was to do," replied Clements with a shrug of the
shoulders. "I cabled Favart some money and he dealt the cards again.
She came to me beaming. Oh, she had been so distressed to put me in
the cart! But what could she do? Now there was a red queen next to the
ace of hearts, so she could sing without a scruple so long, of course,
as she didn't pass a funeral on the way down to the opera house.
Luckily she didn't. But my money brought Favart over here, and now I'm
living on a volcano. For he's the greatest scoundrel unhung. He never
has a farthing, however much she gives him; he's a blackmailer, he's a
swindler, he has no manners and no graces, he looks like a butcher and
treats her as if she were dirt, he never goes near the opera except
when she is singing in this part, and she worships the ground he walks
on. Well, I suppose it's time to go."
The lights had been turned off, the great room was emptying. Mr.
Ricardo and his friends rose to go, but at the door Hanaud detained
Mr. Clements, and they talked together alone for some little while,
greatly to Mr. Ricardo's annoyance. Hanaud's good humour, however,
when he rejoined his friend, was enough for two.
"I apologise, my friend, with my hand on my heart. But it was for your
sake that I stayed behind. You have a meretricious taste for melodrama
which I deeply deplore, but which I mean to gratify. I ought to leave
for Paris to-morrow, but I shall not. I shall stay until Thursday."
And he skipped upon the pavement as they walked home to Grosvenor
Square.
Mr. Ricardo bubbled with questions, but he knew his man. He would get
no answer to any one of them to-night. So he worked out the problem
for himself as he lay awake in his bed, and he came down to breakfast
next morning fatigued but triumphant. Hanaud was already chipping off
the top of his egg at the table.
"So I see you have found it all out, my friend," he said.
Public-domain text, read in full here on John Shaqi.
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