Detective and mystery stories; Murder -- Fiction; Yachts -- Fiction
But an exhaustive search of the cabin floor discovered no key. Jones,
seeing us searching, helped, his revolver in one hand and a lighted
match in the other, handling both with an abandon of ease that
threatened us alternately with fire and a bullet. But there was no key.
“It stands to reason, miss,” he said, when we had given up, “that,
since the key isn’t here, it isn’t on the ship. That there key is a
sort of red-hot give-away. No one is going to carry a thing like that
around. Either it’s here in this cabin—which it isn’t—or it’s
overboard.”
“Very likely, Jones. But I shall ask Mr. Turner to search the men.”
She went toward Turner’s door, and Jones leaned over me, putting a hand
on my arm.
“She’s right, boy,” he said quickly. “Don’t let ’em know what you’re
after, but go through their pockets. And their shoes!” he called after
me. “A key slips into a shoe mighty easy.”
But, after all, it was not necessary. The key was to be found, and very
soon.
CHAPTER X.
“THAT’S MUTINY”
Exactly what occurred during Elsa Lee’s visit to her brother-in-law’s
cabin I have never learned. He was sober, I know, and somewhat dazed,
with no recollection whatever of the previous night, except a hazy idea
that he had quarreled with Richardson.
Jones and I waited outside. He suggested that we have prayers over the
bodies when we placed them in the boat, and I agreed to read the burial
service from the Episcopal Prayer Book. The voices from Turner’s cabin
came steadily, Miss Lee’s low tones, Turner’s heavy bass only now and
then. Once I heard her give a startled exclamation, and both Jones and
I leaped to the door. But the next moment she was talking again
quietly.
Ten minutes—fifteen—passed. I grew restless and took to wandering about
the cabin. Mrs. Johns came to the door opposite, and asked to have tea
sent down to the stewardess. I called the request up the companionway,
unwilling to leave the cabin for a moment. When I came back, Jones was
standing at the door of Vail’s cabin, looking in. His face was pale.
“Look there!” he said hoarsely. “Look at the bell. He must have tried
to push the button!”
I stared in. Williams had put the cabin to rights, as nearly as he
could. The soaked mattress was gone, and a clean linen sheet was spread
over the bunk. Poor Vail’s clothing, as he had taken it off the night
before, hung on a mahogany stand beside the bed, and above, almost
concealed by his coat, was the bell. Jones’s eyes were fixed on the
darkish smear, over and around the bell, on the white paint.
I measured the height of the bell from the bed. It was well above, and
to one side—a smear rather than a print, too indeterminate to be of any
value, sinister, cruel.
“He didn’t do that, Charlie,” I said. “He couldn’t have got up to it
after—That is the murderer’s mark. He leaned there, one hand against
the wall, to look down at his work. And, without knowing it, he pressed
the button that roused the two women.”
Public-domain text, read in full here on John Shaqi.
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