Detective and mystery stories; Murder -- Fiction; Yachts -- Fiction
“... For man walketh in a vain shadow,” I read, “and disquieteth
himself in vain....
“O spare me a little, that I may recover my strength: before I go
hence, and be no more seen.”
CHAPTER XI.
THE DEAD LINE
Mrs. Johns and the stewardess came up late in the afternoon. We had
railed off a part of the deck around the forward companionway for them,
and none of the crew except the man on guard was allowed inside the
ropes. After a consultation, finding the ship very short-handed, and
unwilling with the night coming on to trust any of the men, Burns and I
decided to take over this duty ourselves, and, by stationing ourselves
at the top of the companionway, to combine the duties of officer on
watch and guard of the after house. To make the women doubly secure, we
had Oleson nail all the windows closed, although they were merely
portholes. Jones was no longer on guard below, and I had exchanged
Singleton’s worthless revolver for my own serviceable one.
Mrs. Johns, carefully dressed, surveyed the railed-off deck with raised
eyebrows.
“For—us?” she asked, looking at me. The men were gathered about the
wheel aft, and were out of ear-shot. Mrs. Sloane had dropped into a
steamer-chair, and was lying back with closed eyes.
“Yes, Mrs. Johns.”
“Where have you put them?”
I pointed to where the jolly-boat, on the port side of the ship, swung
on its davits.
“And the mate, Mr. Singleton?”
“He is in the forward house.”
“What did you do with the—the weapon?”
“Why do you ask that?”
“Morbid curiosity,” she said, with a lightness of tone that rang false
to my ears. “And then—naturally, I should like to be sure that it is
safely overboard, so it will not be”—she shivered—“used again.”
“It is not overboard, Mrs. Johns,” I said gravely. “It is locked in a
safe place, where it will remain until the police come to take it.”
“You are rather theatrical, aren’t you?” she scoffed, and turned away.
But a second later she came back to me, and put her hand on my arm.
“Tell me where it is,” she begged. “You are making a mystery of it, and
I detest mysteries.”
I saw under her mask of lightness then: she wanted desperately to know
where the axe was. Her eyes fell, under my gaze.
“I am sorry. There is no mystery. It is simply locked away for
safe-keeping.”
She bit her lip.
“Do you know what I think?” she said slowly. “I think you have
hypnotized the crew, as you did me—at first. Why has no one remembered
that you were in the after house last night, that you found poor Wilmer
Vail, that you raised the alarm, that you discovered the captain and
Karen? Why should I not call the men here and remind them of all that?”
“I do not believe you will. They know I was locked in the storeroom.
The door—the lock—”
“You could have locked yourself in.”
“You do not know what you are saying!”
But I had angered her, and she went on cruelly:—
Public-domain text, read in full here on John Shaqi.
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