Two private diarists, whose autobiographic records remained unknown to their contemporaries, have justly obtained classic rank by the publication of their records in the nineteenth century. One of these, Samuel Pepys, stands incontestably at the head of the world's literature in his own department. John Evelyn, possessing neither the humour, the _naïveté_, the shrewdness, or the uncompromising frankness of his rival and friend, occupies a much lower place as an autobiographer, though more highly endowed as a scholar and a man of letters. Born in 1620 of a prosperous county family, whose fortune had been made by the manufacture of gunpowder, he found himself an idle young Templar at the outbreak of the Civil War. Three days' service in the royal army sufficed him, and in 1643 he obtained the king's permission to travel. This does not seem very heroic conduct, but the family estate, lying at Wotton, near Dorking, was probably in the actual occupation of the Parliamentarians. He remained abroad until 1647, and his notes on art and antiquity are among the most valuable portions of his diary. Study and gardening were his chief occupations under the Commonwealth, varied with some cautious intriguing on behalf of the exiled king. Under the Restoration he was in great favour, and, although taking no part in politics, filled several honourable public offices. A sincere Churchman, he was greatly alarmed by James II.'s illegalities, and acquiesced in the Revolution as a necessary evil. In 1695 he was appointed treasurer to Greenwich Hospital. He died in 1706. The general view of his character is that expressed by Mr. Leslie Stephen, who describes him as 'the typical instance of the accomplished and public-spirited gentleman of the Restoration.' The chief dissentient from this favourable estimate is a person of weight, De Quincey, who, in a conversation with Woodhouse, violently attacks Evelyn's _Diary_, three years after its publication, as 'a weak, good-for-nothing little book, much praised by weak people,' and abuses the author as 'a shallow, empty, cowardly, vain, assuming coxcomb,' 'a mere literary fribble, a fop, and a smatterer affecting natural history and polite learning.' There is just this much of truth in this splenetic onslaught, that Evelyn was an amateur in authorship, and that his high character and influential friendships no doubt contributed much to the esteem with which the works published in his lifetime were regarded in his day. The _Diary_ stands on a different footing; it appealed to a remote and impartial public, and the appeal has been justified by edition after edition.