Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
Evelyn's claims to literary distinction rest principally upon his
_Diary_ and his _Sylva_, which will be noticed in another place. The
chief literary merits of the _Diary_ are its unassuming simplicity and
perfect perspicuity of style and phrase. Infinitely less interesting
than Pepys's, it has the advantage of covering a much more extensive
period, and faithfully reflecting the feelings of a loyal, pious,
sensible Englishman at various important crises of public affairs.
Unlike Pepys, whose estimates of men and things are very fluctuating,
Evelyn is consistent, and we may feel sure that any modification of
sentiment that may be observed in him faithfully represents the
inevitable influence of circumstances upon a man of independent
judgment. His personal loyalty to the house of Stuart is manifestly
cooled, though not chilled, by the scandals of Charles II.'s reign; but
it is not until Church and King come into open conflict in the reign of
James II. that Evelyn gives any countenance to a violent change of
government, which it is clear he would most willingly have avoided. The
extreme caution and moderation of his language lend weight to his
disapprobation, and indicate more forcibly than any vigour of
declamation how completely James had alienated his true friends.
Evelyn's position was that of one who could neither lift a hand against
the Government or stretch one out to defend it. His unaffected style
almost rises into poetry as he succinctly enumerates the omens which
heralded the downfall of James:
'_October 14._ The King's birthday. No guns from the Tower as
usual. The sun eclipsed at its rising. This day signal for the
victory of William the Conqueror against Harold, near Battel,
in Sussex. The wind, which had been hitherto west, was east all
this day. Wonderful expectation of the Dutch fleet. Public
prayers ordered to be read in the churches against invasion.'
The interest of the early part of the _Diary_ is of a different kind. It
is occupied with the author's continental travels, and shows what was
thought best worth seeing in that age, with many curious incidental
traits of manners, and examples of the hardships and perils with which
wayfarers were then beset. As always, we have to lament that the
traveller was in that day so much of a mere sightseer, and took so
little pains to acquaint himself with the moral, intellectual, or
industrial life of the nations he visited. This was the universal
failing of the age, and of all preceding ages; not until the eighteenth
century do we meet with a really philosophical traveller. Evelyn,
however, is not insensible to humanity when it is thrust upon his
attention; and his study of painting in his youth, and the taste for
arboriculture which produced his _Sylva_, qualify him beyond most of his
contemporaries for the description of the aspects of nature. The feeling
for nature and the feeling for humanity are well combined in the
following passage:
Public-domain text, read in full here on John Shaqi.
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