Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
'We went then to visit the galleys, being about twenty-five in
number; the Capitaine of the Galley Royal gave us most
courteous entertainment in his cabin, the slaves in the interim
playing both loud and soft music very rarely. Then he showed
how he commanded their motions with a nod, and his whistle
making them row out. The spectacle was to me new and strange,
to see so many hundreds of miserably naked persons, their heads
being shaven close and having only high red bonnets, a pair of
coarse canvass drawers, their whole backs and legs naked,
doubly chained about their middle and legs, in couples, and
made fast to their seats, and all commanded in a trice by an
imperious and cruel seaman. One Turk amongst the rest he much
favoured, who waited on him in his cabin, but with no other
dress than the rest, and a chain locked about his leg, but not
coupled. This galley was richly carved and gilded, and most of
the rest were very beautiful. After bestowing something on the
slaves, the capitaine sent a band of them to give us music at
dinner where we lodged. I was amazed to contemplate how these
miserable caitiffs lie in their galley crowded together; yet
there was hardly one but had some occupation, by which, as
leisure and calms permitted, they got some little money,
insomuch as some of them have, after many years cruel
servitude, been able to purchase their liberty. The
rising-forward and falling-back at their oar, is a miserable
spectacle, and the noise of their chains, with the roaring of
the beaten waters, has something of strange and fearful in it
to one unaccustomed to it. They are ruled and chastised by
strokes on their backs and soles of their feet, on the least
disorder, and without the least humanity, yet are they cheerful
and full of knavery.'
Public-domain text, read in full here on John Shaqi.
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