Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
The literature of England has this among other points in common with
ancient literature, that it reckons books on fishing among its classics.
Oppian, who sang of the sea and its inhabitants to Caracalla, is far
from the worst among the Greek poets, and has in particular expressed
the successful angler's exultation with a truth and terseness which no
successor will surpass:
[Greek: pollê gar blepharoisi kai en phresi terpsis idesthai
pallomenon kai elissomenon pepedêmenon ichthyn.]
Half a century later Nemesian gained equal fame among the Latins by a
poem on the same theme, which has not come down to us. The piscatorial
eclogues of Sanazzaro are an ornament of Italian literature, and were
imitated by Milton in his _Lycidas_;[14] but the first and best modern
poem on the technicalities of angling (_The Secrets of Angling_, by John
Dennys, 1630) is English, and is one of the most pleasing didactic poems
in the language. The subject was next to have been taken up by a better
known writer, Sir Henry Wotton, but his intended work was never
completed, and it remained for Izaak Walton, whom we have already met as
an ecclesiastical biographer, to render it equally interesting to the
professional fisherman and charming to the lover of idyllic pastoral.
The first edition (1653) is wellnigh the most prized of all rare old
English books. It had four more editions in the author's lifetime, all
with additions and amendments, and it is needless to observe that it has
retained its popularity to our day as completely as _Paradise Lost_ or
_Pilgrim's Progress_. The technical details are no doubt sound, except
for the author's defective acquaintance with fly-fishing; but the
preservative against time has not been the didactic skill which others
might rival or surpass, but the accompaniment of natural description and
song and pictures of country life, conveyed in a style whose quaint
simplicity, at once transparent and formal, is a survival from the old
Elizabethan days, to which, with their pastorals and poetry, he himself
looks back with so much affection:
'Look, under the broad beech-tree, I sat down, when I was last
this way a-fishing, and the birds in the adjoining grove
seemed to have a friendly contention with an echo, whose dead
voice seemed to live in a hollow tree, near to the brow of that
primrose-hill; there I sat viewing the silver streams glide
silently towards their centre, the tempestuous sea; yet
sometimes opposed by rugged roots and pebble-stones, which
broke their waves, and turned them into foam: and sometimes I
beguiled time by viewing the harmless lambs, some leaping
securely in the cool shade, whilst others sported themselves in
the cheerful sun; and saw others craving comfort from the
swollen udders of their bleating dams. As I sat there, these
and other sights had so fully possessed my soul with content,
that I thought, as the poet has happily exprest it,
Public-domain text, read in full here on John Shaqi.
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