Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
"I was for that time lifted above earth;
And possessed joys not promis'd in my birth."
As I left this place and entered into the next field, a second
pleasure entertained me; 'twas a handsome milk-maid, that had
not yet attained so much age and wisdom as to load her mind
with any fears of many things that will never be, as too many
men too often do; but she cast away all care, and sung like a
nightingale; her voice was good, and the ditty fitted for it:
'twas that smooth song, which was made by Kit Marlow, now at
least fifty years ago: and the milk-maid's mother sung an
answer to it, which was made by Sir Walter Raleigh in his
younger days.
'They were old-fashioned poetry, but choicely good, I think
much better than the strong lines that are now in fashion in
this critical age.'
Passages like these create for the middle-aged man the joy and charm of
Walton's _Angler_, which the boy devours as a manual of the piscatorial
art. To the more advanced reader the chief use of the fish is as a
vehicle for the pastoral; nevertheless, the great success of Walton's
treatise is a proof that he was by no means inefficient from a more
utilitarian point of view. Londoners have usually made good anglers,
except, from want of opportunity, as fly-fishermen. Here it has been
necessary to supplement Walton very largely; and indeed he himself
confesses to having relied for such information as he does afford upon
another angler. Elsewhere he approves himself master of his profession,
and no doubt had trained many a pupil, perhaps made many a convert like
the Venator who puts himself so readily under his tuition. Everyone
knows the proem of his book, instinct with the freshness of the bright
May morning, the otter hunt, a holy war in the eyes of the injured
fisherman (O blissful days, when otters were yet to be found in the
Lea!), and the earnest rhetoric of Auceps, Venator, and Piscator,
contending for the pre-eminence of their favourite sports. It is
characteristic of Walton's simplicity and candour that he should have
placed the most beautiful passage of his book in the mouth of one of his
opponents.
'These I will pass by, but not those little nimble musicians of
the air, that warble forth their curious ditties, with which
nature hath furnished them to the shame of art.
'As first the lark, when she means to rejoice: to cheer herself
and those that hear her, she then quits the earth, and sings as
she ascends higher into the air, and having ended her heavenly
employment, grows then mute and sad to think she must descend
to the dull earth, which she would not touch but for necessity.
'How do the blackbird and thrassel with their melodious voices
bid welcome to the cheerful spring, and in their fixed months
warble forth such ditties as no art or instrument can reach to?
Public-domain text, read in full here on John Shaqi.
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