Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
'Nay, the smaller birds also do the like in their particular
seasons, as namely the leverock, the tit-lark, the little
linnet, and the honest robin, that loves mankind both alive and
dead.
'But the nightingale, another of my airy creatures, breathes
such sweet loud music out of her little instrumental throat,
that it might make mankind to think miracles are not ceased. He
that at midnight, when the very labourer sleeps securely,
should hear, as I have very often, the clear airs, the sweet
descants, the natural rising and falling, the doubling and
redoubling of her voice, might well be lifted above earth, and
say Lord, what music hast thou provided for the saints in
heaven, when thou affordest bad men such music on earth!'
It has been remarked that it was necessary to supplement Walton's
imperfect knowledge of fly-fishing. This task, a delicate one in his
lifetime, was piously and successfully performed by a scholar, Charles
Cotton, of Beresford, Derbyshire (1630-1687), whose appendix of
dialogues appeared in the fifth edition of Walton's own treatise (1676)
with some graceful introductory lines from Izaak himself, then in his
eighty-third year. 'I have been so obedient to your desires,' he says,
'as to endure all the praises you have ventured to fix upon me.' Cotton,
a country gentleman of good family, whose fishing cottage on the Dove
stands to this day, obtained some reputation as a man of letters by a
translation of Scarron's burlesque poem, and other versions from the
French. He was also an authority upon cards, which possibly accounts for
the pecuniary embarrassments which clouded the latter part of his life.
His piscatorial teaching is no doubt quite sound; but his book, although
a lively dialogue, is no idyll like his master's, and would be forgotten
but for its association with the latter. The best passages are those
depicting the horror of the London visitor at the steepness of the
Derbyshire hills and the narrowness of the Derbyshire bridges. 'I would
not ride over it for a thousand pounds, nor fall off it for two; and yet
I think I dare venture on foot, though if you were not by to laugh at
me, I should do it on all four.'
FOOTNOTES:
[13] It is strange that Macaulay, who had told this story so graphically
in his _History_, should have forgotten it when he came to write the
_Life of Atterbury_. No English bishop, he says, had been taken into
custody between the Seven Bishops and Atterbury, overlooking Sprat.
[14] A correspondent of the _Athenaeum_ has pointed out, but the
discovery seems to have been hardly noticed, that Shakespeare took the
name of Ophelia from Sanazzaro's _Arcadia_--another argument for his
acquaintance with Italian.
CHAPTER XVI.
TRAVELLERS.
Public-domain text, read in full here on John Shaqi.
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