Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
Oldham's poems consist partly of odes, formal and elaborate
compositions, and partly of the satires which in his age in some measure
supplied the place of the modern journal and review. A secret and
unconscious harmony pervades all branches of the contemporary art of
every epoch; and in the stately and somewhat stilted lyrics of Oldham
and his compeers we discern the counterpart of the elaborate
frontispieces with temples and triumphal arches, chariots and
cornucopias, tritons and nereids, which the engravers of the age
prefixed to its literature. The engraving is hardly art, and the verse
is hardly poetry; we are nevertheless conscious of a vigour and a
substance which command respect. The work is compact and solid at any
rate, and displays much of the force of the Giants, if little of the
inspiration of the Gods. Oldham would fain be extravagant in praise of
wine; but there is not the least trace of genuine Bacchic frenzy in his
laboured dithyramb. The epicedion on his friend Mouvent is a serious
composition indeed, forty-two mortal stanzas, with, nevertheless,
sufficient good things to justify the praise bestowed on it by Pope. The
ode to Ben Jonson is remarkable as expressing the feelings of the men of
the Restoration towards the poet who they really thought had reformed
the stage, and delivered it from the reprehensible licentiousness of
Shakespeare. Like Oldham's other lyrical compositions, it abounds with
most dissonant lines, but has also some noble ones, as these, for
example:
'Let meaner spirits stoop to low precarious fame,
Content on gross and coarse applause to live
And what the dull and senseless rabble give;
Thou didst it still with noble scorn contemn,
Nor wouldst that wretched alms receive,
The poor subsistence of some bankrupt, sordid name:
Thine was no empty vapour, raised beneath,
And formed of common breath,
The false and foolish fire, that's whisked about
By popular air, and glares awhile, and then goes out;
But 'twas a solid, whole, and perfect globe of light,
That shone all over, was all over bright,
And dared all sullying clouds, and feared no darkening night.'
Public-domain text, read in full here on John Shaqi.
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