Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
But he has nothing of the salt and savour of Rochester's more serious
poetry, and is at best an elegant versifier, who, in his only
considerable original poem, the _Essay on Translated Verse_, thinks
justly, reasons clearly, and expresses himself with considerable spirit
when the subject requires. The most original feature of his literary
character is his preference in a rhyming age for blank verse, which he
enforces in theory, but is far from recommending by his practice. In his
rhymed pieces he is a better versifier than poet, and in his blank verse
the contrary. Milton's eyes were just closed; Shakespeare and Fletcher
were still acted; but the secret of beautiful versification, apart from
rhyme, seems to have been entirely lost.
[Sidenote: John Sheffield, Duke of Buckinghamshire (1649-1721).]
Poetry afforded a subject for verse to another noble writer, John
Sheffield, successively Earl of Mulgrave, Marquis of Normanby, and Duke
of Buckinghamshire (1649-1721), who achieved real if moderate
distinction as soldier, statesman, and scholar. As a poet his reputation
rests entirely upon his _Essay on Poetry_, which contains many just
thoughts expressed in pleasing numbers, although the author's deference
to the conventional dicta of criticism leads him into idolatry, not only
of Homer and Virgil, but of Bossu. To have fostered the genius of Pope
by judicious praise is the highest distinction of 'Granville the polite
and knowing Walsh.' Congreve, to be treated more fully as a dramatist,
stands somewhat higher than these as an inditer of heroic couplets; but
a severer criticism must be passed, if any criticism is needed, upon
Pomfret, Duke, Stepney, and the other versifiers of the day who have
burrowed their way into the stock collections of poetry.
[Sidenote: Andrew Marvell (1621-1678).]
Public-domain text, read in full here on John Shaqi.
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