Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
The defect in _Hudibras_ pointed out by Dr. Johnson, the want of logical
sequence in the action, undoubtedly exists, but is almost inherent in
the conception of such a performance. A more serious drawback, the
disproportion between the hero's deeds and his words, probably arises
from the poem having been written at different periods of the author's
life. When he began to write his invention was lively and vigorous, but
it naturally flagged after middle age, although his wit remained
unimpaired. In the first and part of the second canto disquisition and
adventure are so evenly blended that each supports the other; in the
latter part of the poem the burden falls almost entirely upon the
former. Hence the picturesque and cleverly varied incident of the
bear-baiting, with the varied characters it brings upon the scene, will
always be the favourite passage of the poem, unless an exception be made
for the portraits of Hudibras and Ralpho. There is, however,
considerable inconsistency in the character of Hudibras. He is
represented as a fool, yet half the good things of the book are, from
sheer necessity, put into his mouth. We are to suppose him a coward, yet
he takes and deals cuffs and bangs in the spirit of a pugilist; and his
attack upon the seven champions of bear-baiting, one of them an Amazon,
is so far from cowardice, that it more resembles temerity. The more
odious traits of his character hardly seem properly to belong to it; and
in fact Butler probably commenced his poem without too curiously
considering how he was to conduct it, or rather where it was to conduct
him, and scribbled away in the spirit of his own maxim--
'One for sense, and one for rhyme,
Is quite sufficient at one time'--
trusting to the humour ever springing up under his pen to redeem his
verse from the imputation of doggrel. This it certainly did; for
although _Hudibras_ as a whole is rambling, ill-compacted, and wordy,
the terseness of many individual passages is as remarkable as their
humour:
'A tool
That knaves do work with, called a fool.'
'Cerberus himself pronounce
A leash of languages at once.'
'Hudibras wore but one spur,
As wisely knowing, could he stir
To active trot one side of 's horse
The other would not hang.'
'For as on land there is no beast,
But in some fish at sea's exprest;
So in the wicked there's no vice
Of which the saints have not a spice.'
'Quoth she, There are no bargains driven,
Nor marriages clapped up in heaven,
And that's the reason, as some guess,
There is no heaven in marriages.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account