Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
'Men ought to do in religion as they do in war. When a man of
honour is overpowered, and must of necessity surrender himself
up a prisoner, such are always wont to endeavour to do it to
some person of command and quality, and not to a mere
scoundrel. So, since all men are obliged to be of some church,
it is more honourable, if there were nothing else in it, to be
of that which has some reputation, than such a one as is
contemptible, and justly despised by all the best of men.'
This is not the language of a very fervent churchman; and Butler's
royalism is like his religion, a _pis aller_. Nowhere does his aversion
for Puritanism kindle into enthusiasm for its contrary, any more than
his humour ever rises into poetry. In his verse he is a satirist; in his
prose a sceptic; and his satire and his scepticism are alike rooted in a
low opinion of human nature, and a disbelief that things can ever be
much better than they are. He is a strong spirit, but of the earth,
earthy. At the same time he is not one of the satirists who make their
readers cynics; on the contrary, his hearty geniality puts the reader
into good humour with mankind, and suggests that if there is not much to
admire there is also but little to condemn. It is unnecessary to dilate
on his peculiar merits, which are of universal notoriety. Few have
enriched the language with so many familiar quotations; few have so much
fancy along with a total absence of sentiment; few have been so fertile
in odd rhymes and quaint illustrations and comparisons; few have so
thoroughly combined the characters of wit and humorist.
In 1759 a quantity of MS. compositions of Butler's, which had remained
unpublished during his life, and had come into the possession of his
friend Longueville, were edited by R. Thyer, librarian of the Chetham
Library at Manchester. The most important, his characters in the manner
of Theophrastus, and detached thoughts in prose, will be noticed along
with the prose essayists. Of the metrical compositions, the most
elaborate is _The Elephant in the Moon_, a satire on the appetite for
marvels displayed by some of the members of the then infant Royal
Society, which exists in two recensions, one in Hudibrastic, the other
in heroic verse. The other pieces are also for the most part satirical,
with a strong affinity to _Hudibras_, except where they parody the style
of some poet of the day. They are always clever, sometimes very humorous
and pointed, and, with Marvell's satires, form a transition from the
unpolished quaintness of Donne to the weight and splendour of Dryden.
Butler in one instance appears a downright plagiarist; in another he
would seem, were the thing possible, to have been copied by a later and
more illustrious writer. In his satire against rhyme, he writes:
'When I would praise an author, the untoward
Damned sense says Virgil, but the rhyme says Howard.'
Public-domain text, read in full here on John Shaqi.
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