English literature -- 19th century -- History and criticism; Great Britain -- Intellectual life -- 19th century
For several reasons Charlotte Brontë holds a higher place in literature
than her sister. She has not to be judged by one work only. _Jane Eyre_
was followed by _Shirley_ (1849), by _Villette_ (1853), by _The Professor_
(1857), published posthumously, and by the fragment, _Emma_ (1860). In
none of these did she equal her first novel, but she exhibited different
sides and aspects of her genius, she multiplied her creations, and she
proved, as long as life was given her, that she had what in the language
of sport is called 'staying power.' Moreover, Charlotte was decidedly more
of the artist than Emily. She understood better the importance of relief.
Her imagination too was prevailingly sombre; yet though _Jane Eyre_ is
sufficiently gloomy, it is less uniformly so than _Wuthering Heights_. The
shadow is flecked here and there with light. Again, Charlotte is more
versatile in her imagination and much more pictorial than Emily. All the
members of the Brontë family had a love and apparently some talent for
art; but it is in the works of Charlotte that this talent leaves the
clearest traces. There are few things in _Jane Eyre_ more impressive than
her description in words of the picture her imagination, if not her brush,
drew. More ample scope, greater variety, a more humane tone,--these then
are the points in which Charlotte surpasses Emily.
Notwithstanding the wonderful force and vividness of their imagination,
the Brontës were in several respects singularly limited, largely because
their experience was so limited. It was only genius that saved them from
the narrowest provinciality. Even genius did not enable them to reach
beyond a few well-marked types of character, nor did it save them from
errors in the drawing of these. Both Rochester and Heathcliff would have
been more endurable, as members of society, if their creators had
themselves known more of society. They are brutal because the Brontës had
seen and heard about much brutality, and had not learned that polish is by
no means synonymous with weakness, and that gentleness is quite consistent
with manliness and strength of will.
Public-domain text, read in full here on John Shaqi.
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