English literature -- 19th century -- History and criticism; Great Britain -- Intellectual life -- 19th century
Partly however the narrowness was in the Brontës themselves. They show
little power of invention. Not only are their types few, but the
individual characters are nearly all reproductions from life. Probably no
English writer of equal rank has transcribed so much from experience as
Charlotte Brontë. Many of her characters were so like the originals as to
be immediately recognised by themselves or by their neighbours. Shirley
Keeldar was her sister Emily, Mr. Helstone was her father, the three
curates were real men, and some of Charlotte's school friends were
depicted, it is said, with the accuracy of daguerreotypes. This minute
fidelity to fact occasionally brought Miss Brontë into trouble; for she
was not particularly sagacious in estimating the effect of what she wrote.
We may argue from it, moreover, that if she had lived she would soon have
exhausted her material.
Charlotte Brontë was likewise deficient in humour. This might be safely
inferred from her works, where there are hardly any humorous characters or
situations; and the inference would be confirmed by her life. Her letters,
often excellent for their common sense and their high standard of duty,
and sometimes for their dignity, are almost destitute of playfulness.
Neither does she seem to have readily recognised humour in others. She
admired Thackeray above almost all men of her time, but she was completely
puzzled by him when they met. She lectured him on his faults, and quaintly
adds that his excuses made them worse. The humourist was playing with the
too serious mind. Had Miss Brontë been as Irish in nature as she was by
blood she would not have made this mistake.
In the case of the Brontës it would be peculiarly ungenerous to insist on
defects. All life long they fought against odds. With inadequate means and
imperfect training, without friends and without advice, they won by their
own force and genius alone a position in literature which is higher now
than it was forty years ago. Charlotte is one of the half-dozen or so of
great English novelists of the present century; and in all probability it
is only her early death that has made Emily's place somewhat lower.
[Sidenote: Elizabeth Cleghorn Gaskell (1810-1865).]
Public-domain text, read in full here on John Shaqi.
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