The Ainu group at the Saint Louis ExpositionStarr, Frederick
History
The Ainu group at the Saint Louis Exposition
Starr, Frederick
Ainu; Louisiana Purchase Exposition (1904 : Saint Louis, Mo.)
It was at Mr. Batchelor’s home that we saw our first Ainu. His
driver, Parapita, is a fine type. With his long grayish hair, his
great gray beard, his kindly expression, his graceful salutations,
his neat and simple dress, his ready service, the old man greatly
pleased us. Another patriarch, working at the woodpile, was venerable
and typical, but was mentally a little unsound; he was but a visitor
at the rest-house. Two young men, Yazo and Goro, we shall know better
bye and bye. All of the Ainu women at the house had long, black, wavy
hair hanging down upon their shoulders and bore the great blue-green
tattoo around the lips. This tattoo is quite unlike what I had
imagined from descriptions and colored photographs. Instead of being
a dull, rather dark, blue, it is a light blue-green, or green-blue,
which is vividly fresh, even when it has been on the face for years.
So true is this, that Manuel asked at once, on seeing it, whether
it was freshly applied paint or something more permanent. The girls
and women have pleasant, broad, open faces, and the abundant hair,
hanging loosely down at the sides onto the shoulders, sets them off
well. They are modest in their manner and, often, bashful. It is a
common trick, especially in certain villages, for an Ainu girl, when
bashful in the presence of strangers, to hang her head and shake it
so that the hair falls over the whole face like a veil. But, for all
this modest concealment, their handsome dark eyes are watching from
beneath the sheet of hair and seeing all that goes on outside.
Public-domain text, read in full here on John Shaqi.
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