Would she have done so, I kept on asking myself, if she didn't know
quite well what I meant to say to her? Or was it just friendliness? I
knew she liked me.
... Why didn't she come? Here it was, only eight minutes before the
train started. As I searched the platform, with an eye that strove to
appear calm and unconcerned, I saw faces that I knew--faces of
theatrical celebrities, two or three of the prettiest girls in England,
a handsome, hook-nosed young man, who was, perhaps, the best known
theatrical manager in London, two eminent comedians carrying bouquets.
And the Press photographers were beginning to arrange their cameras....
I had completely forgotten what a tremendous celebrity dear little
Connie was. I might have known they'd have given her a send-off on her
way to the States. All the same, it annoyed me, as it seemed to be
annoying a tall, hatchet-faced man in Donegal tweeds, who scowled at
the little crowd. Was he a friend, too, I wondered?
She came at last, very late of course, and after a brief smile at me,
underwent the public ceremonies of the occasion, while I--I own
it--retired into the carriage for a minute or two. But I saw the cameras
click, and the girls embrace, and the crowd of sightseers trying to push
into the charmed circle, and then Connie was in the corridor, leaning
out of the window, waving and smiling as the train began to move to an
accompaniment of loud cheers.
"My dear Connie, royalty isn't in it!" I said, as she stepped laughingly
into the carriage, and I pushed the sliding door home.
"Oh, they're dears!" she said, "and they do really mean well, despite
the fact that we shall all be in the picture papers to-morrow morning,
and that's good for business."
"I thought you were never coming."
"It is an impression I convey," she answered; "but I'm very careful,
really. My maid was here with the luggage half an hour ago. What lovely
flowers you have got for me, John!"
She lay back in her seat as the train gathered speed and Ealing flashed
by with a roar, and I feasted my eyes on the fairest picture in the
world.
She wore a simple travelling coat and skirt of white piqué, and the
white lilac was all about her, framing her face as she held up a branch
to inhale its fragrance. All England knew that face in the days when
little Connie sang and danced herself into the heart of the public, but
none knew it as well as I.
How can I describe that marvellous hair of dark chestnut, those deep
amethyst eyes, and the perfect bow of lips which were truer to the exact
colour of coral than any I have ever seen? It only makes a catalogue
after all. It's the expression--the soul, if you like--that makes the
true face; and here was one so frank and kind and sweet that when one
looked it seemed as if hands were placed beneath the heart, lifting it
up!
On one other day only did I see her more lovely than she was now.
Public-domain text, read in full here on John Shaqi.
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