Here everything suggested harmony. The mahogany wainscotted walls were decked with fine portraits of the world's great masters of melody. Handsome cabinets contained costly and elaborate collections and folios of music, a complete library of the entire world's best productions. The girl's harp--a masterpiece by Pestalozzi of Venice--stood at one side; on the other, a five hundred dollar Victrola, with a wonderful repertoire of records. But the grand piano itself dominated all, especially made for Catherine by Durand Frères, in Paris, and imported on the Billionaire's own yacht, the "Bandit." A wondrous instrument, this, finer even than the pipe-organ in an alcove at the far end of the room. It summed up all that the world's masters knew of instrument-production; and its cost, from factory to its present place at Idle Hour, represented twenty years' wages, and more, of any of Flint's slaves in the West Virginia mines or the Glenn Pool oil-fields of Oklahoma. At this magnificent piano the girl now seated herself, on a bench of polished teak, from Mindanao. And, turning to her father, who had sunk down in his favorite easy-chair of Russia leather, she asked with a smile: "Well, daddy, what shall I play for you, to-night?" He looked at her a minute, before replying. Never had she seemed to dear, so beautiful to him. The rose-tinted light that fell softly from a Bohemian chandelier over her head, flooded her coiled hair, her face, her hands, with soft warm color. The slight dressing that her wound now required was covered by a deft arrangement of her hair. She had regained her usual tint. Nothing now told of the accident, the close call she had had, from death, so short a time before. And old Flint smiled, as he answered her: "What shall you play? Anything you like, my dear. You know best--only, don't make it too classical. Your old father isn't up to that ultra music, you know, and never will be!" She smiled again with understanding, and turned to the keyboard. Then, without notes, and with a delicate touch of perfectly modulated interpretation, she began to render "Traümerei," as though she, too, had been dreaming of something that might have been. Flint listened, with perfect content. The music soothed and quieted him. Even the foreknowledge of the difficult task that lay before him, the interview that he must have with his daughter, faded from his mind, a little, and left him wholly calm. Eyes closed, every sense intent on the delicious harmony, he followed the masterpiece to the end; and sighed when the last notes had died away, and kept silence.