Then Kate, still needing no music on the rack before her, played the
"Miserere" from "Il Trovatore," a Hungarian "Czardas," Mendelssohn's
"Frühlingslied" and the overture from "William Tell." She followed these
with the "Intermezzo" and the "Pizzicato" from "Sylvia," and then with
"Narcissus" and "Sans Souci." And at the end of this, she paused again;
for now her father had arisen and come close to her. With a hand on her
shoulder, looking down at her with stern yet kindly eyes, he said:
"'Sans Souci'? That means 'Without Care,' doesn't it, Kate?"
"Yes, Daddy. Why?" she answered.
"Oh, I was just thinking, that's all," said he. "It made me wish _I_ had
no cares, no troubles, no sorrows."
"Sorrows, father? Why should you have sorrows?" she queried, turning to
him and taking both his shriveled hands in her warm, strong ones.
"Sorrows? Why shouldn't I?" said he. "Every man of large affairs has
them. Every father has them, too." And he bent over her and kissed her,
with unusual emotion.
"Every father?" asked she. "What do you mean? Am _I_ a sorrow to you?"
"A joy in many ways," he answered. "In some, a sorrow."
"In what ways?" she asked quickly, her eyes widening.
"In this way, most of all," he told her, as he took her left hand up,
and pointed at the finger where Waldron's ring had been and now no
longer was.
She looked at him a moment, hardly understanding; then bowed her head.
"Father," she whispered. "Forgive me--but I couldn't! I--I couldn't! No,
not for the world!"
Flint's drug-contracted eyes hardened as he stood there gazing down at
her. Once, twice he essayed to speak, but found no words. At last,
however, blinking nervously, he said:
"This, Kate, is what I want to talk with you about, to-night. Will you
hear me?"
CHAPTER XIX.
CATHERINE'S DEFIANCE.
"Hear you, best and dearest father in the world?" she cried, looking
quickly up at him again. "Of course I will! Only, I beg you,
don't--don't ask me to--"
"I will ask you nothing, Kate, my girl, save this--to consider
everything well, and to act like a reasoning, thinking creature, not
like an impetuous and romantic school-girl!"
Releasing her hands, he once more sat down in the easy-chair, crossed
his legs and peered keenly at her, to fathom if he could the inner
workings of that other brain and heart.
"Well, father," she said, "I'll admit, right away, that I've done wrong
to keep this from you, or to try to. We--I--broke the engagement, that
day of the accident, out at Longmeadow. I _meant_ to tell you, tell you
everything and explain it all, but somehow--"
"You needn't explain, my dear," said Flint, judicially. "Wally has
already done so."
"And does he blame me, father?" cried the girl, eagerly, clasping her
hands on her knees.
"No, not at all. On the contrary, he claims the fault is all his own.
And he's most contrite and repentant, Kate. Absolutely so. All he asks
in the world is to make amends and--well, resume the old relation,
whenever you are willing."
Public-domain text, read in full here on John Shaqi.
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