The Alhambra and the Kremlin: The South and the North of EuropePrime, Samuel Irenæus
History
The Alhambra and the Kremlin: The South and the North of Europe
Prime, Samuel Irenæus
Europe -- Description and travel
Locks are now frequent, and the passage very slow. One of them was
tended by a comely maiden, not more than sixteen years old, dressed
neatly with an embroidered petticoat, which she had to expose in pushing
the beam around to open and close the lock. This was a novel application
of female influence, but not very pleasing, being the first thing I had
seen in Sweden that was uncivilized and offensive. Lock after lock,
slowly and tediously we made our way through a pretty country, the
fields well tilled, woods and green meadows interchanging often, and the
land fenced off into smaller divisions than we had noticed in any other
country. The soil appeared to be good from the abundance of the growth.
The houses were neat, and the out-buildings numerous and well arranged,
showing signs of thrift and taste. The look was that of a farming people
well to do.
We enter another lake, short, but very pretty, by name Asplagen, with
richly cultivated shores and sweet homes nestling among the trees; and
on the rising grounds we see beautiful pictures of Swedish life, rich
and prosperous residences, where it is evident that the good things of
this life are enjoyed, and plenty of them.
An elderly Russian gentleman and a Swedish professor of physics in
Stockholm were among the passengers; the Swede had travelled in America,
and was very happy to meet an American, while the Russian was greatly
interested in learning of that wonderful country. He spoke five
languages, and he said that his countrymen, if educated at all, could
speak both English and French. While these gentlemen were my constant
companions on board, they cordially hated each other’s country, the old
antipathy of Russian and Swede cropping out continually, and making it a
difficult task to keep the peace between them.
[Illustration: ROXEN LOCKS.]
Public-domain text, read in full here on John Shaqi.
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