The Alhambra and the Kremlin: The South and the North of EuropePrime, Samuel Irenæus
History
The Alhambra and the Kremlin: The South and the North of Europe
Prime, Samuel Irenæus
Europe -- Description and travel
There is a great deal of exaggeration in the descriptions given by those
who enjoy the sport. The horses selected for the sacrifice are miserable
jades, that are fit for nothing else but to be killed, and the bulls are
rarely so fierce as to be dangerous, unless goaded or provoked into
phrensy by the tricks of the combatants. The men who go into the fight
are all hired butchers or fighters, who are paid regular salaries, like
actors in a theatre, and they make a business of it. And so universal is
the rage of the people to see this, the national sport and pastime, that
the ring must furnish seats for ten, fifteen, or twenty thousand people,
and the price of admission for such a multitude readily supplies the
means to meet the great expenses of the entertainment.
One of the most curious facts developed by the bull-fight is the
fondness that women have for such scenes. It is no fiction that ladies,
whose refinement cannot be called in question, are in raptures when the
fight is the most savage and bloody. It always was so. In the
amphitheatres of Italy, when martyr Christians were compelled to fight
with wild beasts, the fairest and proudest of women were among the
spectators, who looked on with delight when their fellow-creatures were
torn limb from limb. I have often heard it said, here and elsewhere,
that women are more fond of these bloody spectacles than men are. We
know they are more sympathetic with suffering, and in the hospital and
chamber of sickness and anguish, they minister with a long-suffering
patience and fortitude from which the sterner stuff that men are
supposed to be made of revolts at once, or soon shrinks worn out, “used
up,” as we say.
What is the effect of these scenes of blood and butchery on the national
character? In the streets the boys play bull-fight: one holds up a red
handkerchief and shakes it in the face of another boy, who makes a lunge
at him with his head, and then pursues him, and another sets off after
_him_, and so the bull-ring is enacted in the highway. As all the large
towns have bull-rings, and the poorest classes of people manage to get
money enough to see the show, and the country boy can give his girl no
greater treat than to take her to a bull-fight, the thing is in the
widest sense national, and its influence reaches down to the lowest
ranks, while it is the pet of the nobility and gentry. And its effect
must be degrading, brutifying, and demoralizing. If there were any thing
in the Spanish character to work upon, for good or evil, the influence
of such a decided national pastime would be more distinctly pronounced.
But the senseless _pride_ of the Spaniard,—pride with nothing to be
proud of; pride with idleness, ignorance, and poverty; pride of the
meanest and most contemptible sort,—is the warp and woof of Spanish
character, and there is hardly any thing more in them than there would
be in a nation of peacocks.
Public-domain text, read in full here on John Shaqi.
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