As he had frankly and voluntarily offered himself a tributary vassal to Ferdinand, so he always remained loyal to his word, giving him repeated proofs of fidelity and attachment. When that renowned monarch died in Seville in 1254, Alhamar sent ambassadors to condole with his successor, Alonzo X., and with them a gallant train of a hundred Moorish cavaliers of distinguished rank, who were to attend round the royal bier during the funeral ceremonies, each bearing a lighted taper. This grand testimonial of respect was repeated by the Moslem monarch during the remainder of his life on each anniversary of the death of King Ferdinand el Santo, when the hundred Moorish knights repaired from Granada to Seville, and took their stations with lighted tapers in the centre of the sumptuous cathedral round the cenotaph of the illustrious deceased. Alhamar retained his faculties and vigor to an advanced age. In his seventy-ninth year (A.D. 1272) he took the field on horseback, accompanied by the flower of his chivalry, to resist an invasion of his territories. As the army sallied forth from Granada, one of the principal adalides, or guides, who rode in the advance, accidentally broke his lance against the arch of the gate. The counsellors of the king, alarmed by this circumstance, which was considered an evil omen, entreated him to return. Their supplications were in vain. The king persisted, and at noontide the omen, say the Moorish chroniclers, was fatally fulfilled. Alhamar was suddenly struck with illness, and had nearly fallen from his horse. He was placed on a litter, and borne back towards Granada, but his illness increased to such a degree that they were obliged to pitch his tent in the Vega. His physicians were filled with consternation, not knowing what remedy to prescribe. In a few hours he died, vomiting blood and in violent convulsions. The Castilian prince, Don Philip, brother of Alonzo X., was by his side when he expired. His body was embalmed, enclosed in a silver coffin, and buried in the Alhambra in a sepulchre of precious marble, amidst the unfeigned lamentations of his subjects, who bewailed him as a parent. I have said that he was the first of the illustrious line of Nasar that sat upon a throne. I may add that he was the founder of a brilliant kingdom which will ever be famous in history and romance as the last rallying-place of Moslem power and splendor in the Peninsula. Though his undertakings were vast, and his expenditures immense, yet his treasury was always full; and this seeming contradiction gave rise to the story that he was versed in magic art, and possessed of the secret for transmuting baser metals into gold. Those who have attended to his domestic policy, as here set forth, will easily understand the natural magic and simple alchemy which made his ample treasury to overflow. YUSEF ABUL HAGIG THE FINISHER OF THE ALHAMBRA