French fiction -- Translations into English; Philosophical anthropology -- Fiction
She was very like her grandfather, the Duke of Casa-Real, a grandee of
Spain. At this moment, when we first see her, the charm which in earlier
days despotically grasped the soul of poets and lovers of poesy now
emanated from that head with greater vigor than at any former period of
her life, spending itself, as it were, upon the void, and expressing a
nature of all-powerful fascination over men, though it was at the same
time powerless over destiny.
When her eyes turned from the glass globes, where they were gazing at
the fish they saw not, she raised them with a despairing action, as if
to invoke the skies. Her sufferings seemed of a kind that are told to
God alone. The silence was unbroken save for the chirp of crickets and
the shrill whirr of a few locusts, coming from the little garden then
hotter than an oven, and the dull sound of silver and plates, and the
moving of chairs in the adjoining room, where a servant was preparing to
serve the dinner.
At this moment, the distressed woman roused herself from her abstraction
and listened attentively; she took her handkerchief, wiped away her
tears, attempted to smile, and so resolutely effaced the expression of
pain that was stamped on every feature that she presently seemed in the
state of happy indifference which comes with a life exempt from
care. Whether it were that the habit of living in this house to which
infirmities confined her enabled her to perceive certain natural effects
that are imperceptible to the senses of others, but which persons under
the influence of excessive feeling are keen to discover, or whether
Nature, in compensation for her physical defects, had given her more
delicate sensations than better organized beings,--it is certain that
this woman had heard the steps of a man in a gallery built above the
kitchens and the servants’ hall, by which the front house communicated
with the “back-quarter.” The steps grew more distinct. Soon, without
possessing the power of this ardent creature to abolish space and meet
her other self, even a stranger would have heard the foot-fall of a man
upon the staircase which led down from the gallery to the parlor.
The sound of that step would have startled the most heedless being into
thought; it was impossible to hear it coolly. A precipitate, headlong
step produces fear. When a man springs forward and cries, “Fire!” his
feet speak as loudly as his voice. If this be so, then a contrary
gait ought not to cause less powerful emotion. The slow approach, the
dragging step of the coming man might have irritated an unreflecting
spectator; but an observer, or a nervous person, would undoubtedly have
felt something akin to terror at the measured tread of feet that seemed
devoid of life, and under which the stairs creaked loudly, as though two
iron weights were striking them alternately. The mind recognized at once
either the heavy, undecided step of an old man or the majestic tread of
a great thinker bearing the worlds with him.
Public-domain text, read in full here on John Shaqi.
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