French fiction -- Translations into English; Philosophical anthropology -- Fiction
Flanders, which in former times was essentially dun-colored and
monotonous in tint, learned the means of irradiating its smoky
atmosphere through its political vicissitudes, which brought it under
the successive dominion of Burgundy, Spain, and France, and threw
it into fraternal relations with Germany and Holland. From Spain it
acquired the luxury of scarlet dyes and shimmering satins, tapestries of
vigorous design, plumes, mandolins, and courtly bearing. In exchange for
its linen and its laces, it brought from Venice that fairy glass-ware in
which wine sparkles and seems the mellower. From Austria it learned the
ponderous diplomacy which, to use a popular saying, takes three steps
backward to one forward; while its trade with India poured into it the
grotesque designs of China and the marvels of Japan.
And yet, in spite of its patience in gathering such treasures, its
tenacity in parting with no possession once gained, its endurance of all
things, Flanders was considered nothing more than the general storehouse
of Europe, until the day when the discovery of tobacco brought into
one smoky outline the scattered features of its national physiognomy.
Thenceforth, and notwithstanding the parcelling out of their territory,
the Flemings became a people homogeneous through their pipes and
beer.[*]
[*] Flanders was parcelled into three divisions; of which Eastern
Flanders, capital Ghent, and Western Flanders, capital Bruges, are
two provinces of Belgium. French Flanders, capital Lille, is the
Departement du Nord of France. Douai, about twenty miles from
Lille, is the chief town of the arrondissement du Nord.
After assimilating, by constant sober regulation of conduct, the
products and the ideas of its masters and its neighbors, this country of
Flanders, by nature so tame and devoid of poetry, worked out for itself
an original existence, with characteristic manners and customs which
bear no signs of servile imitation. Art stripped off its ideality and
produced form alone. We may seek in vain for plastic grace, the swing of
comedy, dramatic action, musical genius, or the bold flight of ode and
epic. On the other hand, the people are fertile in discoveries, and
trained to scientific discussions which demand time and the midnight
oil. All things bear the ear-mark of temporal enjoyment. There men look
exclusively to the thing that is: their thoughts are so scrupulously
bent on supplying the wants of this life that they have never risen, in
any direction, above the level of this present earth. The sole idea
they have ever conceived of the future is that of a thrifty, prosaic
statecraft: their revolutionary vigor came from a domestic desire to
live as they liked, with their elbows on the table, and to take their
ease under the projecting roofs of their own porches.
Public-domain text, read in full here on John Shaqi.
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