French fiction -- Translations into English; Philosophical anthropology -- Fiction
A complete separation between husband and wife was the result of this
year. Claes slept in a distant chamber, got up early in the morning, and
shut himself into his laboratory or his study. Seeing his wife only in
presence of his daughters or of the two or three friends who came to
visit them, he lost the habit of communicating with her. These two
beings, formerly accustomed to think as one, no longer, unless at rare
intervals, enjoyed those moments of communion, of passionate unreserve
which feed the life of the heart; and finally there came a time when
even these rare pleasures ceased. Physical suffering was now a boon
to the poor woman, helping her to endure the void of separation, which
might have killed her had she been truly living. Her bodily pain became
so great that there were times when she was joyful in the thought that
he whom she loved was not a witness of it. She lay watching Balthazar
in the evening hours, and knowing him happy in his own way, she lived
in the happiness she had procured for him,--a shadowy joy, and yet it
satisfied her. She no longer asked herself if she were loved, she forced
herself to believe it; and she glided over that icy surface, not daring
to rest her weight upon it lest it should break and drown her soul in a
gulf of awful nothingness.
No events stirred the calm of this existence; the malady that was slowly
consuming Madame Claes added to the household stillness, and in this
condition of passive gloom the House of Claes reached the first weeks
of the year 1816. Pierquin, the lawyer, was destined, at the close of
February, to strike the death-blow of the fragile woman who, in the
words of the Abbe de Solis, was well-nigh without sin.
“Madame,” said Pierquin, seizing a moment when her daughters could not
hear the conversation, “Monsieur Claes has directed me to borrow three
hundred thousand francs on his property. You must do something to
protect the future of your children.”
Madame Claes clasped her hands and raised her eyes to the ceiling; then
she thanked the notary with a sad smile and a kindly motion of her head
which affected him.
His words were the stab that killed her. During that day she had yielded
herself up to sad reflections which swelled her heart; she was like the
wayfarer walking beside a precipice who loses his balance and a mere
pebble rolls him to the depth of the abyss he had so long and so
courageously skirted. When the notary left her, Madame Claes told
Marguerite to bring writing materials; then she gathered up her
remaining strength to write her last wishes. Several times she paused
and looked at her daughter. The hour of confidence had come.
Public-domain text, read in full here on John Shaqi.
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