French fiction -- Translations into English; Philosophical anthropology -- Fiction
Since Madame Claes’s death this hidden love was shrouded in mourning.
The tints of the sphere in which it lived, dark and dim from the first,
were now black; the few lights were veiled by tears. Marguerite’s
reserve changed to coldness; she remembered the promise exacted by
her mother. With more freedom of action, she nevertheless became more
distant. Emmanuel shared his beloved’s grief, comprehending that the
slightest word or wish of love at such a time transgressed the laws
of the heart. Their love was therefore more concealed than it had ever
been. These tender souls sounded the same note: held apart by grief, as
formerly by the timidities of youth and by respect for the sufferings of
the mother, they clung to the magnificent language of the eyes, the mute
eloquence of devoted actions, the constant unison of thoughts,--divine
harmonies of youth, the first steps of a love still in its infancy.
Emmanuel came every morning to inquire for Claes and Marguerite, but he
never entered the dining-room, where the family now sat, unless to bring
a letter from Gabriel or when Balthazar invited him to come in.
His first glance at the young girl contained a thousand sympathetic
thoughts; it told her that he suffered under these conventional
restraints, that he never left her, he was always with her, he shared
her grief. He shed the tears of his own pain into the soul of his dear
one by a look that was marred by no selfish reservation. His good heart
lived so completely in the present, he clung so firmly to a happiness
which he believed to be fugitive, that Marguerite sometimes reproached
herself for not generously holding out her hand and saying, “Let us at
least be friends.”
Public-domain text, read in full here on John Shaqi.
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