My reader will bear in mind that we are, at present, occupied with the one point, namely, the extent of divine forgiveness. There are other points of great importance which might be looked at in connection, such as the believer's oneness with Christ, his adoption into the family of God, the indwelling of the Holy Ghost, all of which necessarily imply the full forgiveness of sins; but we must confine ourselves to our immediate theme, and having endeavored to set forth the ground and the extent, we shall close with a few words on THE STYLE OF DIVINE FORGIVENESS. We are all conscious of how much depends upon the style of an action. Indeed, there is frequently far more power in the style than in the substance. How often have we heard such words as these, "Yes, I own he did me a favor; but then he did it in such a way as to take away all the good of it." Now, the Lord has His style of doing things, blessed be His name. He not only does great things, but He does them in such a way as to convince us that His heart is in the doing of them. Not only is the substance of His acts good, but the style most charming. Let us have a sample or two. Look, for instance, at Christ's touching word to Simon the Pharisee, in Luke vii. "When they had nothing to pay, he _frankly_ forgave them both." Now, so far as the mere matter of the debt was concerned, the result would have been the same whatever style had been adopted. But what heart does not perceive the moral power of the word "frankly"? Who would part with it? Who could bear to see the substance stripped of its style? The creditor might forgive with a murmur about the amount. That murmur would, in the judgment of a sensitive heart, rob the act of all its charms. On the other hand, the frankness of the style enhances, beyond expression, the value of the substance. Again, look, for a moment, at that familiar but ever fruitful section of inspiration, Luke xv. Each of the parables illustrates the power and beauty of style. When the man finds his sheep, what does he do? Does he complain of all the trouble, and commence to drive the sheep home before him? Ah, no! this would never do. What then? "He layeth it on His shoulders." How? Complaining of the weight or the trouble? Nay; but "_rejoicing_." Here we have the lovely style. He showed that He was glad to get His sheep back again. The sheep would have been safe on the shoulder however it had been placed there; but who would part with the word "rejoicing"? Who would bear to see the substance of the action stripped of its charming style? So, also, in the case of the woman and her lost piece of silver. "She lights a candle, sweeps the house, and seeks." How? With dullness, weariness and indifference? By no means; but "diligently," like one whose whole heart was in her work. It was quite manifest that she really wanted to find the lost piece of silver. Her style proved this.