“At six the next morning Paccard awoke me. ‘It’s strange, Balmat,’
he said, ‘I hear the birds singing, and don’t see the daylight.
I suppose I can’t open my eyes.’ Observe that his eyes were as
wide open as the Grand Duke’s. I told him he must be mistaken, and
could see quite well. Then he asked me to give him a little snow,
melted it in the hollow of his hand, and rubbed his eyelids with
it. When this was done, he could see no better than before; only
his eyes hurt him a great deal more. ‘Come now, it seems that I am
blind, Balmat. How am I to get down?’ he continued. ‘Take hold of
the strap of my knapsack and walk behind me; that’s what you must
do.’ And in this style we came down, and reached the village of La
Côte. There, as I feared that my wife would be uneasy about me, I
left the doctor, who found his way home by fumbling with his stick,
and returned to my own house. Then, for the first time, I saw what
I looked like. I was unrecognisable. My eyes were red; my face was
black; my lips were blue. Whenever I laughed or yawned, the blood
spurted from my lips and cheeks; and I could only see in a dark
room.”
“‘And did Dr. Paccard continue blind?’ ‘Blind, indeed! He died
eleven months ago, at the age of seventy-nine, and could still read
without spectacles. Only his eyes were diabolically red.’ ‘As
the consequence of his ascent?’ ‘Not a bit of it.’ ‘Why, then?’
‘The old boy was a bit of a tippler.’ And so saying Jacques Balmat
emptied his third bottle.”
The last touch is worthy of Dumas; and the whole story is told in the
Ercles vein. As literature it is none the worse for that. It was a
magnificent achievement; and we can pardon the vanity of the old guide
looking back on the greatest moment of his life. But as history the
interview is of little value. The combination of Dumas and Balmat was a
trifle too strong for what Clough calls “the mere it was.” The dramatic
unities tempt one to leave Balmat, emptying his third bottle, and to
allow the merry epic to stand unchallenged. But the importance of this
first ascent forces one to sacrifice romance for the sober facts.
Public-domain text, read in full here on John Shaqi.
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