Children of clergy -- Fiction; Clergy -- England -- Fiction
The sugar happened to be close to Dora's hand on the kitchen-table, and
she gave him two lumps with the command to "sugar off back upstairs as
fast as you like." The craving for sweetness was allayed; but when Mark
had crunched up the two lumps on the dark kitchen-stairs, he was as
lonely as he had been before he left the nursery. He wished now that he
had not eaten up the sugar so fast, that he had taken it back with him
to the nursery and eked it out to wile away this endless afternoon. The
prospect of going back to the nursery depressed him; and he turned aside
to linger in the dining-room whence there was a view of Lima Street,
down which a dirty frayed man was wheeling a barrow and shouting for
housewives to bring out their old rags and bottles and bones. Mark felt
the thrill of trade and traffick, and he longed to be big enough to open
the window and call out that he had several rags and bottles and bones
to sell; but instead he had to be content with watching two
self-important little girls chaffer on behalf of their mothers, and go
off counting their pennies. The voice of the rag-and-bone man, grew
fainter and fainter round corners out of sight; Lima Street became as
empty and uninteresting as the nursery. Mark wished that a knife-grinder
would come along and that he would stop under the dining-room window so
that he could watch the sparks flying from the grindstone. Or that a
gipsy would sit down on the steps and begin to mend the seat of a chair.
Whenever he had seen those gipsy chair-menders at work, he had been out
of doors and afraid to linger watching them in case he should be stolen
and his face stained with walnut juice and all his clothes taken away
from him. But from the security of the dining-room of the Mission House
he should enjoy watching them. However, no gipsy came, nor anybody else
except women with men's caps pinned to their skimpy hair and little
girls with wrinkled stockings carrying jugs to and from the public
houses that stood at every corner.
Public-domain text, read in full here on John Shaqi.
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