By means of a series of brisk commands, punctuated by prods of the
revolver, the constable manœuvred his captives into line facing the
door. They jumped nimbly to execute his pleasure. Then their wrists
adjacent to one another were gripped, there was a sharp click, and the
sound ensued as of a heavy body stepping back with satisfaction.
“Now you can take ’em down,” observed the constable almost
benevolently, regarding his handiwork with modest pride. “And stand
still while I make out me report, _if_ you please. An’ don’t you try
any more monkey-tricks with _me_.” He drew out a stub of pencil from
his pocket, seated himself at the desk, laid the revolver in front of
him and contemplated the two with a truculent eye.
They returned his gaze gloomily, even Mr. Priestley. Mr. Priestley had
never before been tethered by the wrist to that of a particularly
charming young woman, and he might have been pardoned for feeling a
little exhilaration in the idea; yet his countenance was completely
lacking in exhilaration. A large number of emotions, it is true, were
represented there, but exhilaration was not among them. Nor did the
young woman evince any greater delight in being tethered to Mr.
Priestley. Handcuffs evidently brought her soul no joy. By her
expression, anybody less addicted to the use of handcuffs would have
been hard to find. She now wore the air of one who has stepped gaily
into a train labelled Birmingham, and finds herself in Crewe; a blend
of dismay, annoyance, bewilderment as to the precise whereabouts, and
anxiety regarding the return to the starting-point. The corpse was now
prudently keeping its eyes tightly closed.
And then events happened with a rapidity that would have done credit
to an American Cinema producer. With one dive Mr. Priestley was at the
desk, and the revolver in his hand. With another he was at the nearest
door, and lo! it was open. The young woman, having no option, followed
his movements about the room with the jerky leaps of a fish manœuvring
in mid-air, at the end of a line; this was not the moment to consider
feminine deportment, and Mr. Priestley quite rightly did not stop to
do so.
The door he had flung open was not that by which they had entered the
room; it gave access to a shallow cupboard, having shelves across its
upper half and tolerably empty below. Mr. Priestley viewed it for
one-fifth of a second with exultation, then he turned back to the
thoroughly bewildered constable. Rural constables get very little time
for attending the cinema.
“Get in there,” said Mr. Priestley very grimly to the constable, “as
you value your life.” And he in turn pointed his words by a recourse
to the _argumentum ad hominem_.
The constable did value his life. He did not know very much of what
was happening, but he did know that. He got in.
Public-domain text, read in full here on John Shaqi.
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