“Besides,” added her husband, “I gave away most of mine yesterday. I’m
afraid I’m almost bloodless at the moment.”
“And it’s practically useless trying to get any out of a stone, I
understand,” said Mr. Doyle thoughtfully. “How exceedingly awkward. I
shall have to furnish some myself. I take it that you have at any rate
a lethal weapon of some sort on the premises; a safety razor, for
instance. Lead me to the slaughter, then, please.”
“Don’t bleed to death, darling one, will you?” remarked Dora with
anxiety.
“Dora, you touch me,” said her fiancé with emotion. “This solicitude
is admirable. No, for your sake, my dearest, I will try very hard not
to bleed to death.”
“I was thinking of the furniture we’re going to get out of this,”
retorted his fiancée frankly. “We don’t want it wasted.”
Mr. Doyle moved with dignity upstairs.
Guy, following him, looked back over his shoulder. “I think you’d
better turn the library light out,” he said. “We don’t want any more
unwelcome visitors. And turn all the other lights out as well, will
you, Cynthia? I’ve been thinking that we may want an _alibi_ later.”
Cynthia turned into the drawing-room to carry out this request; Dora
made her way out into the garden to enter the library once more. She
was an astute young woman, and she had recognised that a light turned
out by somebody entering the library from the house instead of the
garden might give the policeman material for thought upon the wrong
lines.
Guy’s chance reference to further visitors proved to be not wide of
the mark. As Dora was tap-tapping out into the garden again after
extinguishing the light, a form loomed up out of the darkness in front
of her.
“Hullo, Mrs. Nesbitt,” observed the form cheerfully. “Bit late to
call, I know, but I saw a light as I was passing (seems to be out now)
and it’s rather urgent, so I thought you wouldn’t mind. Oh, I—I beg
your pardon. I thought it was Mrs. Nesbitt.”
If Dora had been nonplussed it was only for a moment. In rather less
than a second and a half she had determined on her line of action.
Drawing the chiffon scarf she was wearing across the lower part of her
face, she clutched violently at the form’s arm. “Murder!” she
exclaimed tensely. “There’s been murder done in there. No—don’t go in,
you’ll only make matters worse. Go for the police—quick!”
The form (a thick, short form it was) staggered back. “_M-Murder?_” it
echoed. “Good gracious, you don’t mean Mr. or Mrs. Nesbitt?”
“No!” Dora replied impatiently. “They’re out of the way. They’ve been
got out of the way, if you must know. It’s nothing to do with them.
It’s the Crown Prince of—no, I daren’t tell you. My own life hangs by
a hair. Quick, I must go; I can’t keep _them_ waiting any longer. The
police—run for the police!”
“Th-th-_them_?” repeated the now thoroughly agitated form. “Good
Heavens, do you mean the—the murderers?”
Public-domain text, read in full here on John Shaqi.
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