And twenty minutes later, if he had interested the timid little thing enough, he would be wondering ruefully if certain words of hers really meant what they had implied, or whether they were intended to convey something quite different and impossibly puncturing to the gallant balloon of manly self-esteem. If he did not interest her enough, he would be wondering still more ruefully how he could ever have imagined such a frigid block of sarcastic ice to be incapable in any conceivable way of looking after, not merely herself, but the entire universe as well. The Misses Howard may perhaps most politely be described as “stimulating.” Nevertheless, the family of Howard had done one good thing—it had brought Guy and Cynthia together. George Howard, the brother of the two demons, a large, solid person, as unlike his sisters as the elephant is unlike the mosquito, had been Guy’s worshipping disciple at school and at Oxford; Dora and Cynthia had been “best friends.” George had now taken for the summer the cottage at Duffley whose garden adjoined Guy’s. He had moved in only three days before this story opens, and the fate of Duffley still hung in the balance. Laura, younger than her sister by a couple of years, had shouldered the responsibilities of her lot and the family’s orphanhood by accompanying her brother George about wherever he went and insisting upon keeping his house for him, much to that simple soul’s sorrow; on the whole, George would rather have had his house kept for him by a combination of Catherine of Medici and Lucretia Borgia than by either of his sisters. George was the sort of person who likes to know where he is at any given moment, and has a rooted distaste for dwelling upon a volcano. Laura, therefore, was now wasting her gifts upon the rustic life of Duffley. Dora, investing her talents to better purpose, had gone on the stage, where she had confidently expected to multiply them sevenfold. The British stage is a mass of curious contradictions. It lives upon humbug, it exploits humbug, and it is itself more taken in by humbug than any other institution. If a penniless actress lays out her last ten shillings in a pair of new gloves and a taxi-fare to the stage-door, the stage will say to itself as often as not: “Ha! Trixie Two-shoes is going about everywhere in taxis now, is she? She must be getting on, that girl. There is evidently more in her than I thought. I must have her for my next show, at double the salary she’s getting now. Good!” The stage then buys four cigars at five times the price it usually pays, in order to impress the financial magnate after lunch with the strength of its own position.