Cutting away the bushes with his billhook, the woodman next swings the
cumbrous grub-axe, whose wide edge clears the earth from the larger
roots. Then he puts his pipe in his pocket, and settles to the serious
work of the “great axe,” as he calls it. I never could use this
ungainly tool aright: a top-heavy, clumsy, awkward thing, it rules you
instead of you ruling it. The handle, too, is flat—almost with an edge
itself sometimes—and is quite beyond the grasp of any but hands of
iron. Now the American axe feels balanced like a sword; this is because
of the peculiar curve of the handle. To strike you stand with the left
foot slightly forward, and the left hand uppermost: the “S” curve (it
is of course not nearly so crooked as the letter) of the American axe
adjusts itself to the anatomy of the attitude, so to speak.
The straight English handle does not; it is stiff, and strains the
muscles; but the common “great axe” has the advantage that it is also
used for splitting logs and gnarled “butts.” An American axe is too
beautiful a tool for that rude work. The American was designed to
strike at the trunk of the tree several feet from the ground, the
English axe is always directed to the great roots at the base.
A dexterous woodman can swing his tool alternately left hand or right
hand uppermost. The difference looks trifling; but try it, and you will
be astonished at the difficulty. The blows echo and the chips fly, till
the base of the tree, that naturally is much larger, is reduced to the
size of the trunk or less. Now a pause, while one swarms up to “line”
it—_i.e._ to attach a rope as high as possible to guide the “stick” in
its fall.
It is commonly said that in climbing it is best to look up—a maxim that
has been used for moral illustrations; but it is a mistake. In
ascending a tree you should never look higher than the brim of your
hat, unless when quite still and resting on a branch; temporary
blindness would be the penalty in this case. Particles of decayed bark,
the borings of insects in dead wood, dust, and fragments of twigs, rush
down in little streams and fill the eyes. The quantity of woody powder
that adheres to a tree is surprising; every motion dislodges it from a
thousand minute crevices. As for firs, in climbing a fir one cannot
look up at all—dead sticks, needles, and dust pour down, and the
branches are so thick together that the head has to be forced through
them. The line fixed, the saw is applied, and by slow degrees the butt
cut nearly through. Unless much overbalanced on one side by the limbs,
an oak will stand on a still day when almost off.
Public-domain text, read in full here on John Shaqi.
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