Every few minutes a hare started out of the dry grass: he always
scampered up the Down and stopped to look at us from the ridge. The
hare runs faster up hill than down. By the cornfields there were wire
nettings to stop them; but nothing is easier than for any passer-by who
feels an interest in hares and rabbits, and does not like to see them
jealously excluded, to open a gap. Hares were very numerous—temptingly
so. Not far from where the track crossed a lonely road was a gipsy
encampment; that swarthy people are ever about when anything is going
on, and the reapers were busy in the corn. The dead dry thorns of the
hedge answered very well to boil their pot with. Their tents, formed by
thrusting the ends of long bent rods like half-hoops into the turf,
looked dark like the canvas of a barge.
These “gips”—country folk do not say gipsy—were unknown to us; but we
were on terms with some members of a tribe who called at our house
several times in the course of the year to buy willow. The men wore
golden earrings, and bought “Black Sally,” a withy that has a dark
bark, for pegs, and “bolts” of osier for basket-making. A bolt is a
bundle of forty inches in circumference. Though the women tell
fortunes, and mix the “dark man” and the “light man,” the “journey” and
the “letter” to perfection, till the ladies half believe, I doubt if
they know much of true palmistry. The magic of the past always had a
charm for me. I had learned to know the lines, from that which winds
along at the base of the thumb-ball and if clear means health and long
life, to that which crosses close to the fingers and indicates the
course of love, and had traced them on many a delicate palm. So that
the “gips” could tell me nothing new.
The women are the hardiest in the country; they simply ignore the
weather. Even the hedgers and ditchers and the sturdiest labourers
choose the lee side of the hedge when they pause to eat their
luncheons; but the “gips” do not trouble to seek such shelter. Passing
over the hills one winter’s day, when the Downs looked all alike, being
covered with snow, I came across a “gip” family sitting on the ground
in a lane, old and young exposed to the blast. In that there was
nothing remarkable, but I recollect it because the young mother,
handsome in the style of her race, had her neck and brown bust quite
bare, and the white snowflakes drove thickly aslant upon her. Their
complexion looks more dusky in winter, so that the contrast of the
colours made me wish for an artist to paint it. And he might have put
the grey embers of a fire gone out, and the twisted stem of a hawthorn
bush with red haws above.
Public-domain text, read in full here on John Shaqi.
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