All men were charmed; the Senate with their Aurelius, the people with
their Nero, the army with their Antonine. Certainly in profusion
Elagabalus was destined to rival his prototype. His prodigalities were
more excessive, his mignons more blatant, his wives more numerous,
and his processions more splendid. Only in cruelty (at which none can
cavil) did the resemblance fail. Nero had regretted his ability to
write when first a death-warrant was presented for his signature; he
appended his name and soon found the taste for blood. Elagabalus wept
at the sight of suffering, poverty and misery to the end of his life;
and as he never avoided seeing it, he must have wept often. In fact, a
favourite pastime, according to Herodian, was wandering disguised through
the purlieus of the city; sometimes he would serve as potboy in the
taverns, or as barber’s assistant in the slums, as itinerant vendor of
vegetables and perfumes about the streets; which antics assume a most
reprehensible flavour in the mouth of the historians after the Emperor
had conceived the notion of taking the world into his confidence and had
ordered paintings of himself in the plebeian garbs above mentioned. Any
way, Elagabalus tried to alleviate distress, which was more practical
than tears, though an unusual extravagance amongst the Emperors of the
decadence.
From his infancy the boy had gloried in extravagance. Even as a private
citizen we are told that he refused to stir without a procession of sixty
chariots following, a foible which had caused Maesa to gnash her teeth
instead of adopting measures which would prevent the recurrence of such
ostentation. He had never even thought of austerity, simplicity, and
poverty as necessary evils, let alone as Christian virtues, to be borne
with fortitude and temperance. Once when a friend asked him whether
he was not afraid that his prodigalities would land him in ultimate
necessity, he replied with an astounding self-complacency, “What can be
better for me than to be heir to myself.” Like many a modern child,
he objected to woollen garments, and his parents were foolish enough
to give way to his whimsies; he disliked the feel of wool, he said.
Another prejudice was against linen that had been washed. So dainty was
he that he never used the same garments, the same jewels, the same woman
twice (unless it were his wife), says Lampridius. But in Rome wool was
necessary; Rome was never healthy. Maesa knew it by experience, but
was more than willing to tempt providence by returning thither. The
Tramontana visited it then as now; fever too, and sudden death. Wool was
certainly necessary; besides, it was the accustomed dress of the country,
and Rome was intensely conservative, she would not endure an Emperor who
came dressed as an Eastern barbarian; the boy of thirteen years must
adopt the clothes, habits, and customs of his adopted country, of his
reputed father; thus the grandmother argued till Elagabalus was bored
Public-domain text, read in full here on John Shaqi.
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