It may not be altogether fair to charge the young Alexander personally with the murder of Elagabalus, and even if one does, it is only right to remember that he claimed a certain justification for the deed.[49] Alexander affirmed that he had himself been in danger of death at his cousin’s hand on more than one occasion. Undoubtedly, the true instigators of the murder were Mamaea, Alexander’s mother, and Maesa, the common grandmother of the cousins. Both of these women saw power and authority passing from their hands, and could ill brook a second place in the direction of the government. By their machinations, bribery, and corruption, they had endeavoured already three times to suborn the Praetorian Guard. But the effort had failed. Sufficient men had always been wanting for the project, and only an unlucky chance threw the Emperor into the hands of those few on the day of his death. Alexander’s complicity in this crime might have been overlooked, on account of his youth, had not his strenuous efforts to justify the deed called attention to his attitude, not of regret, but of exultation in the crime. This attitude is most clearly seen in the scandalous literary productions which alone disgrace the name of Elagabalus, all issued from the pens of Cassius Dio, Herodian, and Maximus,—or Lollius Urbicus,—all three servants and bedesmen of Alexander and his female relatives. Surely if it had been possible to give proof of cruelty, tyranny, bloodthirstiness, deceit, or guile, the record of these deeds would have filled the pages of the paid traducers; but contemporaries, who loved Elagabalus too well for his generosity, charm, and beauty, would know better. The only course open to the writers, therefore, was to attack personal habits of which the outside world knew little and cared less, because they were habits that affected no one save the boy’s familiars, who were perfectly free to depart if they objected to his manners or conversation. As regards the later compilers of Imperial histories, mention must be made of Zosimus and Zonaras, the twelfth-century editors of Cassius Dio, who, however, add little to our knowledge. They are of a certain value because they omit many of the scandals before produced, while the same may be said for Aurelius Victor and the _Breviarium_ of Eutropius.