We have now before us the main personages in the political revolution of
the year A.D. 218, a revolution which displaced the Moor, the beloved
of the Senate, and replaced the house of Severus, the beloved of the
army, upon that peak whereon the young Emperors of old Rome balanced
themselves—a peak with a precipice on either side.
First, there is the _Empress Julia Domna Pia_, clever, witty, sagacious,
and beautiful.
Then her sister, _Julia Maesa, Sanctissima_,—for so her religiosity
is described—the widow of Julius Avitus, wealthy, hard, crafty, and
domineering, but a woman with a policy and limitless determination, as
her later history shows. Then her two daughters—
(1) _Julia Soaemias Bassiana_, the wife of Varius Marcellus, beautiful,
voluptuous, religious, neurotic, the mother of Elagabalus, a woman with
few, if any, political aspirations, tendencies, or abilities.
(2) _Julia Mamaea_, the upright (except when other things paid
better), classic, cold, calculating, philosophic, mildly interested in
Christianity, and devoted to the interests of her own family.
Finally, the two successive Emperors, their sons, _Varius Avitus
Bassianus_, the impulsive, affectionate, headstrong child of about
thirteen years, with all his mother’s hereditary sexuality, neurotic
religion, and love of life; and _Alexianus_, a child of approximately
nine, Mamaea’s son, and bearing her reputation, of whom more at a later
time.
Let us follow in outline the actions and movements of this family from
the death of the Emperor Antoninus Caracalla to the inception of the
movement which placed his, at least reputed, son in his place.
[Illustration: Medal of Julia Domna Pia, Empress (British Museum).
Coin of Julia Maesa Augusta (British Museum).
Coin of Julia Soaemias Augusta (British Museum).
Coin of Julia Mamaea Augusta (British Museum).
_Face page 40._]
Public-domain text, read in full here on John Shaqi.
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