English fiction -- 19th century; Marriage -- Fiction
There is a picture of her in an immense flat white silk hat trimmed with
pale blue, like a pavilion, the broadest brim ever seen, and she
simply sits on a chair; and Venus the Queen of Beauty would have been
extinguished under that hat, I am sure; and only to look at Countess
Fanny’s eye beneath the brim she has tipped ever so slightly in her
artfulness makes the absurd thing graceful and suitable. Oh! she was a
cunning one. But you must be on your guard against the scandalmongers
and collectors of anecdotes, and worst of any, the critic, of our
Galleries of Art; for she being in almost all of them (the principal
painters of the day were on their knees for the favour of a sitting),
they have to speak of her pretty frequently, and they season their dish,
the coxcombs do, by hinting a knowledge of her history.
‘Here we come to another portrait of the beautiful but, we fear, naughty
Countess of Cressett.’
You are to imagine that they know everything, and they are so indulgent
when they drop their blot on a lady’s character.
They can boast of nothing more than having read Nymriey’s Letters and
Correspondence, published, fortunately for him, when he was no longer to
be called to account below for his malicious insinuations, pretending
to decency in initials and dashes: That man was a hater of women and the
clergy. He was one of the horrid creatures who write with a wink at you,
which sets the wicked part of us on fire: I have known it myself, and I
own it to my shame; and if I happened to be ignorant of the history of
Countess Fanny, I could not refute his wantonness. He has just the same
benevolent leer for a bishop. Give me, if we are to make a choice, the
beggar’s breech for decency, I say: I like it vastly in preference to a
Nymney, who leads you up to the curtain and agitates it, and bids you
to retire on tiptoe. You cannot help being angry with the man for both
reasons. But he is the writer society delights in, to show what it is
composed of. A man brazen enough to declare that he could hold us in
suspense about the adventures of a broomstick, with the aid of a yashmak
and an ankle, may know the world; you had better not know him--that is
my remark; and do not trust him.
Public-domain text, read in full here on John Shaqi.
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