English fiction -- 19th century; Marriage -- Fiction
A couple of liveried grooms at the horses’ heads ran and sprang to the
hinder seats as soon as their master had taken the reins. He sounded the
whip caressingly: off those pretty trotters went.
Mrs. Carthew watched them, waving to the bride. She was on the present
occasion less than usually an acute or a reflective observer, owing
to her admiration of lordly state and masculine commandership; and her
thought was: ‘She has indeed made a brilliant marriage!’
The lady thought it, notwithstanding an eccentricity in the wedding
ceremony, such as could not but be noticeable. But very wealthy noblemen
were commonly, perhaps necessarily, eccentric, for thus they proved
themselves egregious, which the world expected them to be.
Lord Levellier sounded loud eulogies of the illustrious driver’s team.
His meditation, as he subsequently stated to Chillon, was upon his
vanquished antagonist’s dexterity, in so conducting matters, that he had
to be taken at once, with naught of the customary preface and apology
for taking to himself the young lady, of which a handsome settlement, is
the memorial.
We have to suppose, that the curious occupant of the coach inside
aroused no curiosity in the pair of absorbed observers.
Speculations regarding the chances of a fall of rain followed the
coach until it sank and the backs of the two liveried grooms closed
the chapter of the wedding, introductory to the honeymoon at Esslemont,
seven miles distant by road, to the right of Lekkatts. It was out of
sight that the coach turned to the left, Northwestward.
CHAPTER XV. OPENING STAGE OF THE HONEYMOON
A famous maxim in the book of the Old Buccaneer, treating of PRECAUTION,
as ‘The brave man’s clean conscience,’ with sound counsel to the
adventurous, has it:--
‘Then you sail away into the tornado, happy as a sealed bottle of ripe
wine.’
It should mean, that brave men entering the jaws of hurricanes are found
to have cheerful hearts in them when they know they have done their
best. But, touching the picture of happiness, conceive the bounteous
Bacchic spirit in the devoutness of a Sophocles, and you find comparison
neighbour closely between the sealed wine-flask and the bride, who is
being driven by her husband to the nest of the unknown on her marriage
morn.
Seated beside him, with bosom at heave and shut mouth, in a strange
land, travelling cloud-like, rushing like the shower-cloud to the vale,
this Carinthia, suddenly wedded, passionately grateful for humbleness
exalted, virginly sensible of treasures of love to give, resembled
the inanimate and most inspiring, was mindless and inexpressive, past
memory, beyond the hopes, a thing of the thrilled blood and skylark air,
since she laid her hand in this young man’s. His not speaking to her
was accepted. Her blood rather than recollection revived their exchanges
during the dance at Baden, for assurance that their likings were one,
their aims rapturously one; that he was she, she he, the two hearts
making one soul.
Public-domain text, read in full here on John Shaqi.
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