English fiction -- 19th century; Marriage -- Fiction
She walked up and down the long seven-windowed saloon, haunted by her
footfall, trying to think, chafing at his quietness and acknowledging
that he did well to be quiet. They had finished their packing of boxes
and of wearing-apparel for the journey. There was nothing to think of,
nothing further to talk of, nothing for her to do save to sit and look,
and deaden her throbs by counting them. She soon returned to her seat
beside her brother, with the marvel in her breast that the house she
desired so much to love should be cold and repel her now it was a vacant
shell. Her memories could not hang within it anywhere. She shut her
eyes to be with the images of the dead, conceiving the method as her
brother's happy secret, and imitated his posture, elbows propped on knees
to support the chin. His quietness breathed of a deeper love than her
own.
Meanwhile the high wind had sunk; the moon, after pushing her withered
half to the zenith, was climbing the dusky edge, revealed fitfully;
threads and wisps of thin vapour travelled along a falling gale, and
branched from the dome of the sky in migratory broken lines, like wild
birds shifting the order of flight, north and east, where the dawn sat in
a web, but as yet had done no more than shoot up a glow along the central
heavens, in amid the waves of deepened aloud: a mirror for night to see
her dark self in her own hue. A shiver between the silent couple pricked
their wits, and she said:
'Chillon, shall we run out and call the morning?'
It was an old game of theirs, encouraged by their hearty father, to be
out in the early hour on a rise of ground near the house and 'call the
morning.' Her brother was glad of the challenge, and upon one of the
yawns following a sleepless night, replied with a return to boyishness:
'Yes, if you like. It's the last time we shall do her the service here.
Let's go.'
They sprang up together and the bench fell behind them. Swinging the
lantern he carried inconsiderately, the ring of it was left on his
finger, and the end of candle rolled out of the crazy frame to the floor
and was extinguished. Chillon had no match-box. He said to her:
'What do you think of the window?--we've done it before, Carin. Better
than groping down stairs and passages blocked with lumber.'
'I'm ready,' she said, and caught at her skirts by instinct to prove her
readiness on the spot.
A drop of a dozen feet or so from the French window to a flower--bed was
not very difficult. Her father had taught her how to jump, besides the
how of many other practical things. She leaped as lightly as her
brother, never touching earth with her hands; and rising from the proper
contraction of the legs in taking the descent, she quoted her father:
'Mean it when you're doing it.'
'For no enemy's shot is equal to a weak heart in the act,'
Chillon pursued the quotation, laying his hand on her shoulder for a sign
of approval. She looked up at him.
Public-domain text, read in full here on John Shaqi.
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