English fiction -- 19th century; Marriage -- Fiction
'The amazement over London! The jewel hand of the kingdom gone in a
flash, to "a raw mountain girl," as will be said. I can hear Lady Endor,
Lady Eldritch, Lady Cowry. The reasonable woman should be Lady
Arpington. I have heard her speak of your mother, seen by her when she
was in frocks.
'Enter the "plighted." Poor Livia! to be made a dowager of by any but a
damsel of the family. She may well ridicule "that nonsense of Russett's
last night"! Carinthia kisses, embraces, her brother. I am to say:
"What Henrietta tells you is true, Chillon." She is contented though she
has not seen him again and has not the look of expecting to see him. She
still wears the kind of afterglow.
'Chillon's Viennese waltz was played by the band: played a second time,
special request, conveyed to the leader by Prince Ferdinand. True, most
true, she longs to be home across the water. But be it admitted, that to
any one loving colour, music, chivalry, the Island of Drab is an exile.
Imagine, then, the strange magnetism drawing her there! Could warmer
proof be given?
'Adieu. Livia's "arch-plotter" will weigh the letter he reads to the
smallest fraction of a fraction before he moves a step.
'I could leave it and come to it again and add and add. I foresee in
Livia's mind a dread of the aforesaid "arch," and an interdict. So the
letter must be closed, sealed and into the box, with the hand I still
call mine, though I should doubt my right if it were contested fervently.
I am singing the waltz.
'Adieu,
'Ever and beyond it,
'Your obedient Queen,
'HENRIETTA.
Public-domain text, read in full here on John Shaqi.
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