English fiction -- 19th century; Marriage -- Fiction
A couple of liveried grooms at the horses' heads ran and sprang to the
hinder seats as soon as their master had taken the reins. He sounded the
whip caressingly: off those pretty trotters went.
Mrs. Carthew watched them, waving to the bride. She was on the present
occasion less than usually an acute or a reflective observer, owing to
her admiration of lordly state and masculine commandership; and her
thought was: 'She has indeed made a brilliant marriage!'
The lady thought it, notwithstanding an eccentricity in the wedding
ceremony, such as could not but be noticeable. But very wealthy noblemen
were commonly, perhaps necessarily, eccentric, for thus they proved
themselves egregious, which the world expected them to be.
Lord Levellier sounded loud eulogies of the illustrious driver's team.
His meditation, as he subsequently stated to Chillon, was upon his
vanquished antagonist's dexterity, in so conducting matters, that he had
to be taken at once, with naught of the customary preface and apology for
taking to himself the young lady, of which a handsome settlement, is the
memorial.
We have to suppose, that the curious occupant of the coach inside aroused
no curiosity in the pair of absorbed observers.
Speculations regarding the chances of a fall of rain followed the coach
until it sank and the backs of the two liveried grooms closed the chapter
of the wedding, introductory to the honeymoon at Esslemont, seven miles
distant by road, to the right of Lekkatts. It was out of sight that the
coach turned to the left, Northwestward.
CHAPTER XV
OPENING STAGE OF THE HONEYMOON
A famous maxim in the book of the Old Buccaneer, treating of PRECAUTION,
as 'The brave man's clean conscience,' with sound counsel to the
adventurous, has it:--
'Then you sail away into the tornado, happy as a sealed bottle of ripe
wine.'
It should mean, that brave men entering the jaws of hurricanes are found
to have cheerful hearts in them when they know they have done their best.
But, touching the picture of happiness, conceive the bounteous Bacchic
spirit in the devoutness of a Sophocles, and you find comparison
neighbour closely between the sealed wine-flask and the bride, who is
being driven by her husband to the nest of the unknown on her marriage
morn.
Seated beside him, with bosom at heave and shut mouth, in a strange land,
travelling cloud-like, rushing like the shower-cloud to the vale, this
Carinthia, suddenly wedded, passionately grateful for humbleness exalted,
virginly sensible of treasures of love to give, resembled the inanimate
and most inspiring, was mindless and inexpressive, past memory, beyond
the hopes, a thing of the thrilled blood and skylark air, since she laid
her hand in this young man's. His not speaking to her was accepted.
Her blood rather than recollection revived their exchanges during the
dance at Baden, for assurance that their likings were one, their aims
rapturously one; that he was she, she he, the two hearts making one soul.
Public-domain text, read in full here on John Shaqi.
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