English fiction -- 19th century; Marriage -- Fiction
Carinthia had heard. She was more than ever the stunned young woman she
had been since her mounting of the coach, between the village church and
Lekkatts.
She said not a word. Why should she? her object was won. Give her
that, and a woman's tongue will consent to rest. The dreaded weapon
rest, also when she is kept spinning by the whip. She gives out a
pleasant hum, too. Her complexion must be pronounced dull in repose.
A bride on her travels with an aspect of wet chalk, rather helps to
scare mankind from marriage: which may be good or bad; but she reflects a
sicklier hue on the captured Chessman calling her his own. Let her shine
in privacy.
Fleetwood drew up at the Royal Sovereign, whereof the reigning monarch,
in blue uniform on the signboard, curtseyed to his equally windy
subjects; and a small congregation of the aged, and some cripples and
infants, greeted the patron of Old England's manfullest display, cheering
at news of the fight, brought them by many little runners.
'Your box has been conveyed to your room,' he said to his bride.
She bowed. This time she descended the coach by the aid of the ladder.
Ines, victorious in battle, had scant notice from his love. 'Yes, I 'm
glad,' and she passed him to follow her newly constituted mistress. His
pride was dashed, all the foam of the first draw on the top of him blown
off, as he figuratively explained the cause of his gloom to the earl.
'I drink and I gets a licking--that girl nurses and cossets me. I don't
drink and I whops my man--she shows me her back. Ain't it encouragement,
my lord?'
'You ought to know them by this time, you dolt,' returned his patron,
and complimented him on his bearing in the fight. 'You shall have your
two hundred, and something will be added. Hold handy here till I mount.
I start in ten minutes.'
Whether to speak a polite adieu to the bride, whose absurd position
she had brought on her own head, was debated for half a minute. He
considered that the wet chalk-quarry of a beauty had at all events the
merit of not being a creature to make scenes. He went up to the sitting-
room. If she was not there, he would leave his excuses.
She was there, and seated; neither crying, nor smiling, nor pointedly
serious in any way, not conventionally at her ease either. And so
clearly was he impressed by her transparency in simplicity of expression,
that he took without a spurn at it the picture of a woman half drained
of her blood, veiling the wound. And a young woman, a stranger to
suffering: perhaps--as the creatures do looking for the usual flummery
tenderness, what they call happiness; wondering at the absence of it and
the shifty ghost of a husband she has got by floundering into the bog
known as Marriage. She would have it, and here she was!
Public-domain text, read in full here on John Shaqi.
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