English fiction -- 19th century; Marriage -- Fiction
He was allowed his escape, bearing with him enough of husband to execrate
another enslaving pledge of his word, that begat a frenzy to wreak some
caresses on the creature's intolerably haunting image. Of course, he
could not return to her. How would she receive him? There was no salt
in the thought of it; she was too submissive.
However, there would be fun with Chummy Potts on the drive to Canleys;
fun with Rufus Abrane at Mrs. Cowper Quillett's; and with the Countess
Livia, smothered, struggling, fighting for life with the title of
Dowager. A desire for unbridled fun had hold of any amount of it, to
excess in any direction. And though this cloud as a dry tongue after
much wine craves water, glimpses of his tramp's walk with a fellow tramp
on a different road, enjoying strangely healthy vagabond sensations and
vast ideas; brought the vagrant philosopher refreshfully to his mind:
chiefly for the reason that while in Woodseer's company he had hardly
suffered a stroke of pain from the thought of Henrietta. She was now a
married woman, he was a married man by the register. Stronger proof of
the maddest of worlds could not be furnished.
Sane in so mad a world, a man is your flabby citizen among outlaws, good
for plucking. Fun, at any cost, is the one object worth a shot in such a
world. And the fun is not to stop. If it does, we are likely to be got
hold of, and lugged away to the altar--the terminus. That foul disaster
has happened, through our having temporarily yielded to a fit of the
dumps and treated a mad world's lunatic issue with some seriousness. But
fun shall be had with the aid of His Highness below. The madder the
world, the madder the fun. And the mixing in it of another element,
which it has to beguile us--romance--is not at all bad cookery. Poetic
romance is delusion--a tale of a Corsair; a poet's brain, a bottle of
gin, and a theatrical wardrobe. Comic romance is about us everywhere,
alive for the tapping.
A daughter of the Old Buccaneer should participate in it by right of
birth: she would expect it in order to feel herself perfectly at home.
Then, be sure, she finds an English tongue and prattles away as merrily
as she does when her old scapegrace of a father is the theme. Son-in-law
to him! But the path of wisdom runs in the line of facts, and to have
wild fun and romance on this pantomime path, instead of kicking to break
away from it, we follow things conceived by the genius of the situation,
for the delectation of the fair Countess of Fleetwood and the earl, her
delighted husband, quite in the spirit of the Old Buccaneer, father of
the bride.
Public-domain text, read in full here on John Shaqi.
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