English fiction -- 19th century; Marriage -- Fiction
'Russett puts it to the credit of his honesty,' she said. 'Honesty is
everything with us at present. The man has made his honesty an excellent
speculation. He puts a piece on zero and the bank hands him a sackful.
We may think we have won him to serve us, up comes his honesty. That's
how we have Lady Arpington mixed in it--too long a tale. But be guided
by me; condescend a little.'
'My dear! my whole mind is upon that unhappy girl. It would break
Chillon's heart.'
Livia pished. 'There are letters we read before we crack the seal. She
is out of that ditch, and it suits Russett that she should be. He's not
often so patient. A woman foot to foot against his will--I see him
throwing high stakes. Tyrants are brutal; and really she provokes him
enough. You needn't be alarmed about the treatment she 'll meet. He
won't let her beat him, be sure.'
Neither Livia nor Gower wondered at the clearing of the mystery, before
it went to swell the scandal. A young nobleman of ready power, quick
temper, few scruples, and a taxed forbearance, was not likely to stand
thwarted and goaded-and by a woman. Lord Fleetwood acted his part,
inscrutable as the blank of a locked door. He could not conceal that he
was behind the door.
CHAPTER XXV
THE PHILOSOPHER MAN OF ACTION
Gower's bedroom window looked over the shrubs of the square, and as his
form of revolt from a city life was to be up and out with the sparrows in
the early flutter of morning, for a stretch of the legs where grass was
green and trees were not enclosed, he rarely saw a figure below when he
stood dressing. Now there appeared a petticoated one stationary against
the rails, with her face lifted. She fronted the house, and while he
speculated abstractedly, recognition rushed on him. He was down and
across the roadway at leaps.
'It's Madge here!'
The girl panted for her voice.
'Mr. Woodseer, I'm glad; I thought I should have to wait hours. She's
safe.'
'Where?'
'Will you come, sir?'
'Step ahead.'
Madge set forth to north of the square.
He judged of the well-favoured girl that she could steer her way through
cities: mouth and brows were a warning to challenger pirate craft of a
vessel carrying guns; and the red lips kept their firm line when they
yielded to the pressure for speech.
'It's a distance. She's quite safe, no harm; she's a prisoner; she's
well fed; she's not ill treated.'
'You 're out?'
Public-domain text, read in full here on John Shaqi.
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