English fiction -- 19th century; Marriage -- Fiction
A striking scene, Dame Gossip says; but raises a wind over the clipped
adventure, and is for recounting what London believed about it. Enough
has been conceded for the stoppage of her intrusion; she is left in the
likeness of a full-charged pistol capless to the clapping trigger.
That which London believed, or affected to believe about it, would fill
chapters. There was during many months an impression of Lord Fleetwood's
countess as of a tenacious, dread, prevailing young woman, both intrepid
and astute, who had, by an exercise of various arts, legitimate in open
war of husband and wife, gathered the pick of the Principality to storm
and carry another of her husband's houses. The certification that her
cavaliers were Welsh gentlemen of wealth and position required a broader
sneer at the Welsh than was warranted by later and more intimate
acquaintance, if it could be made to redound to her discredit. So,
therefore, added to the national liking for a plucky woman, she gained
the respect for power. Whitechapel was round her like London's one
street's length extension of smoky haze, reminder of the morning's fog
under novel sunbeams.
Simultaneously, strange to say, her connubial antagonist, far from being
overshadowed, grew to be proportionately respected, and on the strength
of his deserts, apart from his title and his wealth. He defended
himself, as he was bound to do, by welcoming the picked Welsh squires
with hospitable embrace, providing ceremonies, receptions, and most
comfortable arrangements for them, along the route. But in thus gravely
entering into the knightly burlesque of the procession, and assisting to
swell the same, he not only drew the venom from it, he stood forth as
England's deputed representative, equal to her invasive challengeing
guests at all points, comic, tragic, or cordial. He saw that it had to
be treated as a national affair; and he parried the imputation which
would have injured his country's name for courtly breeding, had they been
ill-received, while he rescued his own good name from derision by joining
the extravagance.
He was well inspired. It was popularly felt to be the supreme of clever-
nay, noble-fencing. Really noble, though the cleverness was conspicuous.
A defensive stroke, protecting him against his fair one's violent charge
of horse, warded off an implied attack upon Old England, in Old England's
best-humoured easy manner.
Public-domain text, read in full here on John Shaqi.
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