English fiction -- 19th century; Marriage -- Fiction
Men uninstructed in analysis of motives arrive at this dangerous
conclusion, which spares their pride and caresses their indolence, while
it flatters the sense of internal vastness, and invites to headlong
intoxication. It allows them to think they are of such a compound, and
must necessarily act in that manner. They are not taught at the schools
or by the books of the honoured places in the libraries, to examine and
see the simplicity of these mysteries, which it would be here and there a
saving grace for them to see; as the minstrel, dutifully inclining to the
prosy in their behalf and morality's, should exhibit; he should arrest
all the characters of his drama to spring it to vision and strike
perchance the chord primarily if not continually moving them, that
readers might learn the why and how of a germ of evil, its flourishing
under rebuke, the persistency of it after the fell creative energy has
expired and pleasure sunk to be a phlegmatic dislike, almost a loathing.
This would here be done, but for signs of a barometric dead fall in Dame
Gossip's chaps, already heavily pendent. She would be off with us on one
of her whirling cyclones or elemental mad waltzes, if a step were taken
to the lecturing-desk. We are so far in her hands that we have to keep
her quiet. She will not hear of the reasons and the change of reasons
for one thing and the other. Things were so: narrate them, and let
readers do their reflections for themselves, she says, denouncing our
conscientious method as the direct road downward to the dreadful modern
appeal to the senses and assault on them for testimony to the veracity of
everything described; to the extent that, at the mention of a vile smell,
it shall be blown into the reader's nostrils, and corking-pins attack the
comfortable seat of him simultaneously with a development of surprises.
'Thither your conscientiousness leads.'
It is not perfectly visible. And she would gain information of the
singular nature of the young of the male sex in listening to the wrangle
between Lord Fleetwood and Gower Woodseer on the subject of pocket-money
for the needs of the Countess Carinthia. For it was a long and an angry
one, and it brought out both of them, exposing, of course, the more
complex creature the most. They were near a rupture, so scathing was
Gower's tone of irate professor to shirky scholar--or it might be put,
German professor to English scuffleshoe.
Public-domain text, read in full here on John Shaqi.
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