English fiction -- 19th century; Marriage -- Fiction
Ay, and she danced at the ducal schloss;--she mounted his coach like a
witch of the Alps up crags;--she was beside him pelting to the vale under
a leaden Southwester;--she sat solitary by the fireside in the room of
the inn.
Veil it. He consented to the veil he could not lift. He had not even
power to try, and his heart thumped.
London's Whitechapel Countess glided before him like a candle in the fog.
He had accused her as the creature destroying Romance. Was it gold in
place of gilding, absolute upper human life that the ridiculous object at
his heels over London proposed instead of delirious brilliancies, drunken
gallops, poison-syrups,--puffs of a young man's vapours?
There was Madge and the donkey basket-trap ahead on the road to the
house, bearing proof of the veiled had-been: signification of a might-
have-been. Why not a possible might-be? Still the might-be might be.
Looking on this shaven earth and sky of March with the wrathful wind at
work, we know that it is not the end: a day follows for the world. But
looking on those blown black funeral sprays, and the wrinkled chill
waters, and the stare of the Esslemont house-windows, it has an
appearance of the last lines of our written volume: dead Finis. Not
death; fouler, the man alive seeing himself stretched helpless for the
altering of his deeds; a coffin carrying him; the fatal whiteheaded
sacerdotal official intoning his aims on the march to front, the drear
craped files of the liveried, salaried mourners over his failure,
trooping at his heels.
Frontward was the small lake's grey water, rearward an avenue of limes.
But the man alive, if but an inch alive, can so take his life in his
clutch, that he does alter, cleanse, recast his deeds:--it is known;
priests proclaim it, philosophers admit it.
Can he lay his clutch on another's life, and wring out the tears shed,
the stains of the bruises, recollection of the wrongs?
Contemplate the wounded creature as a woman. Then, what sort of woman is
she? She was once under a fascination--ludicrously, painfully, intensely
like a sort of tipsy poor puss, the trapped hare tossed to her serpent;
and thoroughly reassured for a few caresses, quite at home, caged and at
home; and all abloom with pretty ways, modest pranks, innocent fondlings.
Gobbled, my dear!
Public-domain text, read in full here on John Shaqi.
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