English fiction -- 19th century; Marriage -- Fiction
THE AMAZING MARRIAGE
By George Meredith
1895
BOOK 5.
XXXIX. THE RED WARNING FROM A SON OF VAPOUR
XL. A RECORD OF MINOR INCIDENTS
XLI. IN WHICH THE FATES ARE SEEN AND A CHOICE OF THE REFUGES FROM
THEM
XLII. THE RETARDED COURTSHIP
XLIII. ON THE ROAD TO THE ACT OF PENANCE
XLIV. BETWEEN THE EARL; THE COUNTESS AND HER BROTHER, AND OF A SILVER
CROSS
XLV. CONTAINS A RECORD OF WHAT WAS FEARED, WHAT WAS HOPED, AND WHAT
HAPPENED
XLVI. A CHAPTER OF UNDERCURRENTS AND SOME SURFACE FLASHES
XLVII. THE LAST: WITH A CONCLUDING WORD BY THE DAME
CHAPTER XXXIX
THE RED WARNING FROM A SON OF VAPOUR
Desiring loneliness or else Lord Feltre's company, Fleetwood had to grant
a deferred audience at home to various tradesmen, absurdly fussy about
having the house of his leased estate of Calesford furnished complete and
habitable on the very day stipulated by his peremptory orders that the
place should be both habitable and hospitable. They were right, they
were excused; grand entertainments of London had been projected, and he
fell into the weariful business with them, thinking of Henrietta's
insatiable appetite for the pleasures. He had taken the lease of this
burdensome Calesford, at an eight-miles' drive from the Northwest of
town, to gratify the devouring woman's taste which was, to have all the
luxuries of the town in a framework of country scenery.
Gower Woodseer and he were dining together in the evening. The
circumstance was just endurable, but Gower would play the secretary,
and doggedly subjected him to hear a statement of the woeful plight of
Countess Livia's affairs. Gower, commissioned to examine them, remarked:
'If we have all the figures!'
'If we could stop the bleeding!' Fleetwood replied. 'Come to the Opera
to-night; I promised. I promised Abrane for to-morrow. There's no end
to it. This gambling mania's a flux. Not one of them except your old
enemy, Corby, keeps clear of it; and they're at him for subsidies, as
they are at me, and would be at you or any passenger on the suspected of
a purse. Corby shines among them.'
That was heavy judgement enough, Gower thought. No allusion to Esslemont
ensued. The earl ate sparely, and silently for the most part.
He was warmed a little at the Opera by hearing Henrietta's honest
raptures over her Columelli in the Pirata. But Lord Brailstone sat
behind her, and their exchange of ecstasies upon the tattered pathos of
E il mio tradito amor,
was not moderately offensive.
Public-domain text, read in full here on John Shaqi.
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