English fiction -- 19th century; Marriage -- Fiction
But simultaneously, the growing force of her mind's intelligence, wherein
was no enthusiasm to misdirect by overcolouring, enabled her to gather
more than a suspicion of comparative feebleness in the man stripped of
his terrors. She penetrated the discrowned tyrant's nature some
distance, deep enough to be quit of her foregoing alarms. These,
combined with his assured high style, had woven him the magical coat,
threadbare to quiet scrutiny. She matched him beside her brother. The
dwarfed object was then observed; and it was not for a woman to measure
herself beside him. She came, however, of a powerful blood, and he was
pressing her back on her resources: without the measurement or a thought
of it, she did that which is the most ordinary and the least noticed of
our daily acts in civilized intercourse, she subjected him to the trial
of the elements composing him, by collision with what she felt of her
own; and it was because she felt them strongly, aware of her feeling
them, but unaware of any conflict, that the wrestle occurred. She flung
him, pitied him, and passed on along her path elsewhere. This can be
done when love is gone. It is done more or less at any meeting of men
and men; and men and women who love not are perpetually doing it,
unconsciously or sensibly. Even in their love, a time for the trial
arrives among certain of them; and the leadership is assumed, and
submission ensues, tacitly; nothing of the contention being spoken,
perhaps, nothing definitely known.
In Carinthia's case, her revived enthusiasm for her brother drove to the
penetration of the husband pleading to thwart its course. His offer was
wealth: that is, luxury, amusement, ease. The sub-audible 'himself' into
the bargain was disregarded, not counting with one who was an upward rush
of fire at the thought that she was called to share her brother's
dangers.
Chillon cordially believed the earl to be the pestilent half madman,
junction with whom is a constant trepidation for the wife, when it is
not a screaming plight. He said so, and Carinthia let him retain his
opinion. She would have said it herself to support her scheme, though
'mad' applied to a man moving in the world with other men was not
understood by her.
With Henrietta for the earl's advocate, she was patient as the deaf rock-
wall enthusiam can be against entreaties to change its direction or bid
it disperse: The 'private band of picked musicians' at the disposal of
the Countess of Fleetwood, and Opera singers (Henrietta mentioned
resonant names) hired for wonderful nights at Esslemont and Calesford or
on board the earl's beautiful schooner yacht, were no temptation. Nor
did Henrietta's allusions to his broken appearance move his wife, except
in her saying regretfully: 'He changes.'
Public-domain text, read in full here on John Shaqi.
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